Continuum: The Australian Journal of Media & Culture
Vol. 5, No. 2, 1992

Film: Matters of Style

Edited by Adrian Martin


Adrian Martin, S.O.S.

Stuart Cunningham, The Magnificent Ambersons: deep focus, the long take and psychological representation

Geraldine Bloustien, Jane Campion: memory, motif and music

William D. Routt, L'Evidence

Barrett Hodsdon, The mystique of mise en scene revisited

Adrian Martin, Mise en scene is dead, or The Expressive, The Excessive, The Technical and The Stylish

Leonie Naughton, Germany Pale Mother: screen memories of Nazism

Alain Masson, An architectural promenade

Alain Masson, A sequence from Avanti

John Flaus, Thanks for your heart, Bart

Jodi Brooks, Fascination and the grotesque:
What Ever Happened to Baby Jane?

Edward Colless, The Possessed

Philip Brophy, Read my lips: notes on the writing and speaking of film dialogue

Gabrielle Finnane, Discussing Privilege: an interview with Yvonne Rainer

Raffaele Caputo, Film noir: "You sure you don't see what you hear?"

Tom O'Regan, Too popular by far: on Hollywood's international popularity

Robert Sinnerbrink, The Cook, the Thief, His Wife and Her Lover: a discourse on disgust

Carol Laseur, Australian exploitation film: the politics of bad taste

Felicity Collins, A writer's tale

Tom O'Regan, Of small and large countries

Vijay Mishra, Satyajit Ray (1921-1992)

New: 22 December, 1995 | Now: 18 March, 2015