Compiled by Toby Miller
Edited, re-presented and added to by Tom O’Regan and Rita Shanahan


Documentary - reading list is a bibliography of selected texts on the genre of documentary. Documentary - reading list is part of the Documentary site in the Culture and Communication Reading Room at Murdoch University.


 

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

Select the first letter of the word from the list above to jump to appropriate section of the glossary. If the term you are looking for starts with a digit or symbol, choose the '#' link.


- A -

Adamowicz, E. "Ethnology, Ethnographic Film and Surrealism." Anthropology Today 9, no. 1 (1993): 21.

Adams, J.W. "Representation and Context in the Ethnographic Film." Film Criticism 4, no. 1 (1979): 89-100.

Aitken, I. Film and Reform: John Grierson and the Documentary Film Movement. London: Routledge, 1990.

Anderson, L. "Only Connect: Some Aspects of the Work of Humphrey Jennings." Nonfiction Film Theory and Criticism. Ed. Richard Meran Barsam. New York: EP Dutton, 1976. 263-70.

Armstrong, D. "Wiseman's Model and the Documentary Project: Toward a Radical Film Practice." In the textbook. 180-90.

Asch, T. et al. "Ethnographic Film: Structure and Function." Annual Review of Anthropology no. 2 (1973): 179-87.

Asch, T. et al. "The Story We Now Want to Hear is Not Ours to Tell--Relinquishing Control over Representation: Toward Sharing Visual Communication Skills with the Yanomamo." Visual Anthropology Review 7, no. 1 (1991): 102-06.

Ash, J. "Philosophy on the Catwalk: The Making and Wearing of Vivienne Westwood's Clothes." Chic Thrills: A Fashion Reader. Ed. Juliet Ash and Elizabeth Wilson. Berkeley and Los Angeles: U of California P, 1993. 169-85.

Aspinall, S. "This Sadder Recognition" - Interview with Raymond Williams." Screen 23, nos. 3-4 (1982): 144-52.

___ and Mandy Merck. "'So That You Can Live' II." Screen 23, nos. 3-4 (1982): 157-60.

Atkins, T.R. "Reality Fictions": Wiseman on Primate." Frederick Wiseman. Ed. Thomas R. Atkins. New York: Monarch P, 1976. 75-87.

Attenborough, D. "Honesty and Dishonesty in Documentary Film Making." Photographic Journal no. 101 (1961): 97-103.

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Bates, P. "Truth not Guaranteed: An Interview with Errol Morris." Cineaste 17, no. 1 (1989): 16-17.

Bodnar, J. Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century. Princeton: Princeton UP, 1992.

Bruss, E. "Eye for I: Making and Unmaking Autobiography in Film." Autobiography: Essays Theoretical and Critical. Ed. James Olney. Princeton: Princeton UP, 1980. 296-3

Bertrand. I, and Collins, D. Government and Film in Australia. Sydney: Currency P/Australian Film Institute, 1981. 72-93.

British Film Institute. The Film in Colonial Development. London: BFI, 1948.

Burnett, R. "Developments in Cultural Identity Through Film: The Documentary Film, The National Film Board and Quebec Nationalism." Australian-Canadian Studies no. 3 (1985): 44-52.

Burton, J. ed. The Social Documentary in Latin America. Pittsburgh: U of Pittsburgh P, 1990.

Bad Object Choices, ed. How Do I Look? Queer Film and Video. Seattle: Bay P, 1991.

Banks, M. "Talking Heads and Moving Pictures: David Byrne's True Stories and the Anthropology of Film." Visual Anthropology 3, no. 1 (1990): 1-9.

Barnouw, E. Documentary: A History of the Non-Fiction Film, 2nd rev. ed. Oxford: Oxford UP, 1993. 144-48.

Barsam, R.M. "American Direct Cinema: The Re-Presentation of Reality." Persistence of Vision 3, no. 4 (1986): 131-57.

Bell, P. and Boehringer, K. "Publicising Progress: Science on Australian Television." Australian Television: Programs, Pleasures and Politics. Ed. John Tulloch and Graeme Turner. Sydney: Allen and Unwin, 1989. 103-19.

Bell, P. and van Leeuwen, T. The Media Interview: Confession, Contest, Conversation. Sydney: U of New South Wales P, 1994.

Brisebois, D. "The Inuit Broadcasting Corporation." Anthropologica 25, no. 1 (1983): 107-15.

Bromhead, Toni de, 1995, Looking Two Ways, Intervention Press, Brooklyn.

Burnett, R. "The Eyes Don't Have It: Video Images and Ethnography." Continuum 3, no. 2 (1990): 119-39.

bell hooks. Black Looks: Race and Representation. Boston: South End P, 1992. 145-64.

Benson, T.W. "The Rhetorical Structure of Frederick Wiseman's Model." Journal of Film and Video 36, no. 4 (1984): 30-40.

Bogart, N.C.R. and Ketelaar, H.W.E.R. eds. Methodology in Anthropological Filmmaking. Göttingen: Herodot, 1983.

Bowlby, R. Shopping with Freud. London: Routledge, 1993.

Birnie Danzker,J.A. ed. Robert J. Flaherty: Photographer/Filmmaker. Vancouver: Vancouver Art Gallery, 1979.

Barsam, R. The Vision of Robert Flaherty: The Artist as Myth and Filmmaker. Bloomington: Indiana UP, 1988. 12-27.

Barnouw, D. "Seeing and Believing: The Thin Blue Line of Documentary Objectivity." Common Knowledge 4, no. 1 (1995): 129-43.

Barnouw, E. Documentary: A History of the Non-Fiction Film, 2nd rev. ed. Oxford: Oxford UP, 1993. 36-48.

Batty, P. "Singing the Electric." Channels of Resistance: Global Television and Local Empowerment. Ed. Tony Dowmunt. London: BFI, 1993. 106-25.

Banks, M. "Television and Anthropology: An Unhappy Marriage?" Visual Anthropology 7, no. 1 (1994): 21-45.

___ and Mead, M. Balinese Character: A Photographic Analysis. New York: Academy of Sciences, 1942. 231-55.

Boonzajer Flaes, R. ed. Eyes Across the Water. Amsterdam: Het Spinhuis, 1989.

*de Brigard, E. "The History of Ethnographic Film." Principles of Visual Anthropology. Ed. Paul Hockings. The Hague: Mouton, 1975. 13-43.

Bourdon, J. "Television and Popular Memory." Trans. Julia Waley. Media, Culture and Society 14, no. 4 (1992): 541-60.

Breitbart, E. "From the Panorama to the Docudrama: Notes on the Visualization of History." Radical History Review no. 25 (1981): 115-25.

Burton, J, 1983, The New Latin American Cinema. An Annotated Bibliography, 1960-1980, Intervention Press, Brooklyn.

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- C -

Cumings, B. War and Television. London: Verso, 1992. 49-82.

Cunningham, S. "Style, Form and History in Australian Mini-Series." Southern Review 22, no. 3 (1988): 315-30.

Cordaiy, H. "Real Stories Gillian Armstrong." Filmviews 33, no. 137 (1988): 20-22.

Critical Studies in Mass Communication 7, no. 1 (1990): 1-79.

Cunningham, S. "The Look and its Revocation: Wiseman's Primate." Australian Journal of Screen Theory nos. 11-12 (1982): 86-95.

Curry, T.J. "Frederick Wiseman: Sociological Filmmaker?" Contemporary Sociology 14, no. 1 (1985): 35-39.

___ and A. C. Clarke. Introducing Visual Sociology. Dubuque: Kendall-Hunt, 1983.

Cunningham, S. Featuring Australia: The Cinema of Charles Chauvel. Sydney: Allen and Unwin, 1991.

Curtin, M. Redeeming the Wasteland: Television Documentary and Cold War Politics. New Brunswick: Rutgers UP, 1995.

Cham, M.B. and Andrade-Watkins, C. ed. Critical Perspectives on Black Independent Cinema. Cambridge, Mass.: MIT P, 1988.

"The Cinema of Jean Rouch." Visual Anthropology 2, nos. 3-4 (1989).

Clifford, J. "On Ethnographic Surrealism." Comparative Studies in Society and History 23, no. 4 (1981): 539-64.

Cohen, H. "The Ax Fight: Mapping Anthropology on Film." Ciné-Tracts 2, no. 2 (1979): 62-73.

___. "From Ethnographic Film to Indigenous Cinema: Communication and the Evolution of the Ethnographic Subject." Australian Journal of Communication nos. 9-10 (1986): 42-50.

Collier, H. Jr. and Malcolm Collier. Visual Anthropology: Photography as a Research Method. Albuquerque: U of New Mexico P, 1986. 151-60.

"Confronting Reality: Some Perspectives on Documentary." Cilect Review 2, no. 1 (1986).

Connor, L. Asch, P. and Asch, T. Jero Tapakan: Balinese Healer: An Ethnographic Film Monograph. Cambridge: Cambridge UP, 1986.

Corner, J. and Richardson, K. "Documentary Meanings and the Discourse of Interpretation." Documentary and the Mass Media. Ed. John Corner. London: Edward Arnold, 1986. 141-60.

Canberra Anthropology 17, no. 2 (1994): 73-102.

Chiozzi, P. "Reflections on Ethnographic Film with a General Bibliography." Trans. Denise Dresner. Visual Anthropology 2, no. 1 (1989): 1-84.

Calder-Marshall, A. The Innocent Eye: The Life of Robert Flaherty. London: WH Allen, 1963.

Carroll, N. "From Real to Reel: Entangled in Nonfiction Film." Philosophic Exchange no. 14 (1983): 5-45.

Canudo, R. "Another View of Nanook." The Documentary Tradition, 2nd ed. Ed. Lewis Jacobs. New York: WW Norton, 1979. 20-21.

Carpenter, E. "If Wittgenstein had been an Eskimo." Natural History 89, no. 2 (1980): 72-77.

Corliss, R. "Robert Flaherty: The Man in the Iron Myth." Nonfiction Film Theory and Criticism. Ed. Richard Meran Barsam. New York: EP Dutton, 1976. 230-38.

Clarke, J. "'So That You Can Live' I." Screen 23, nos. 3-4 (1982): 153-56.

Colls, R. and Dodd, P. "Representing the Nation: British Documentary Film, 1930-45." Screen 26, no. 1 (1985): 21-33.

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- D -

De Greef, W and Hesling, W. eds. Image Reality Spectator: Essays on Documentary Film. Leuven: Acco, 1989.

Dowmunt, T. ed. Channels of Resistance: Global Television and Local Empowerment. London: BFI, 1

Daston, L. and Galison, P. "The Image of Objectivity." Representations no. 40 (1992): 81-128.

"The Dismissal in Circulation: A Trilogy." Australian Journal of Cultural Studies 1, no. 2 (1983): 83-100.

Drama-Documentary. London: BFI Dossier no. 19, 1981.

"A Detour 'Round' So That You Can Live." Framework no. 19 (1982): 10-16.

Dissanayake, W. "Introduction: Nationhood, History, and Cinema: Reflections on the Asian Scene." Colonialism and Nationalism in Asian Cinema. Ed. Wimal Dissanayake. Bloomington: Indiana UP, 1994. ix-xxix.

Densham, D.H. The Construction of Research Films. Los Angeles: Pergamon P, 1959.

Dornan, C. "Science and Scientism in the Media." Science as Culture no. 7 (1989): 101-21.

Dunn, R.G. "Science, Technology and Bureaucratic Domination: Television and the Ideology of Scientism." Media, Culture and Society 1, no. 4 (1979): 343-54.

Dunlop, I. "Ethnographic Film Making in Australia: The First 70 Years (1898-1968)." Studies in Visual Communication 9, no. 1 (1983): 11-18.

Darling, J. "Lempad of Bali." Simply Living (June 1980).

Diawara, M. African Cinema: Politics and Culture. Bloomington: Indiana UP, 1992. 21-34, 52-55, 93-103.

Dyer MacCann, R. The People's Films: A Political History of U. S. Government Motion Pictures. New York: Hastings House, 1973.

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- E -

Edgerton, G. "Revisiting the Recordings of Wars Past: Remembering the Documentary Trilogy of John Huston." Journal of Popular Film and Television 15, no. 1 (1987): 27-41.

Erens, P. "The Times of Harvey Milk: An Interview with Robert Epstein." Cineaste 14, no. 3 (1986): 26-27.

Eulogy for Harvey Milk." American Film 10, no. 2 (1984): 62.

Egan, S. "Encounters in Camera: Autobiography as Interaction." Modern Fiction Studies 40, no. 3 (1994): 593-618.

Erens, P. "Women's Documentaries as Social History." Film Library Quarterly 14, nos. 1-2 (1981): 4-9.

*___. "Women's Documentary Filmmaking: The Personal is Political." In the textbook. 554-65.

Evans, G. John Grierson and the National Film Board of Canada. Toronto: U of Toronto P, 1984.

*Everist, R. "Her Early Career: Gillian Armstrong's Short Films." Don't Shoot Darling! Women's Independent Filmmaking in Australia. Ed. Annette Blonski, Barbara Creed and Freda Freiberg. Richmond: Greenhouse, 1987. 314-22.

"Early Non-Fiction Cinema." Historical Journal of Film, Radio and Television 15, no. 4 (1995).

*Eaton, M. ed. Anthropology-Reality-Cinema: The Films of Jean Rouch. London: BFI, 1979.

Elliott, W.R. and Rosenberg, W.L. "Media Exposure and Beliefs about Science and Technology." Communication Research 14, no. 2 (1987): 164-88.

Ellis, J.C. The Documentary Idea: A Critical History of English-Language Documentary Film and Video. Englewood Cliffs: Prentice Hall, 1989.

"Ethnographic Film." Cambridge Anthropology (1977).

Edwards, E. ed. Anthropology and Photography 1860-1920. New Haven: Yale UP, 1992.

Eitzen, D. "When is a Documentary?: Documentary as a Mode of Reception." Cinema Journal 35, no. 1 (1995): 81-102.

Evans, D. Sexual Citizenship: The Material Construction of Sexualities. London: Routledge, 1993.

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- F -

Fischel, A. "Engagement and the Documentary." Jump Cut no. 34 (1989): 35-40.

Foucault, M. "Film and Popular Memory." Trans. Martin Jordin. Foucault Live (Interviews, 1966-84). Ed. Sylvère Lotringer. New York: Semiotext(e), 1989. 89-106.

*Feldman, S. "Footnote to Fact: The Docudrama." Film Genre Reader. Ed. Barry Keith Grant. Austin: U of Texas P, 1986. 344-56.

Freccero, C. "Unruly Bodies: Popular Culture Challenges to the Regime of Body Backlash: Two Live Crew and Madonna." Visual Anthropology Review 9, no. 1 (1993): 74-81.

"Feminist Approaches to the Visualization of Culture." Visual Anthropology Review 9, no. 1 (1993).

"Fiction and Documentary." Dox no. 2 (Summer 1994): 18-29.

Fielding, R. The American Newsreel, 1911-1967. Norman: U of Oklahoma P, 1972.

___. The March of Time, 1935-1951. New York: Oxford UP, 1978.

Foley, B. Telling the Truth: The Theory and Practice of Documentary Fiction. Ithaca: Cornell UP, 1986. 29-41.

Frow, J. "Knowledge and Class." Cultural Studies 7, no. 2 (1993): 240-81.

Flaherty, R.J. "How I Filmed Nanook of the North." Film Makers on Film Making: Statements on Their Art by Thirty Directors. Ed. Harry M. Geduld. Harmondsworth: Penguin, 1967. 68-75.

de France, C. "Filmic Anthropology: A Difficult but Promising Birth." Trans. Francoise Florack. Visual Anthropology 6, no. 1 (1993): 1-23.

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- G -

Ginsburg, F. "Embedded Aesthetics: Creating a Discursive Space for Indigenous Media." Cultural Anthropology 9, no. 3 (1994): 365-83.

___. "In Whose Image? Indigenous Media from Aboriginal Central Australia." Commission on Visual Anthropology Review (1989): 16-20.

___. "The Parallax Effect: The Impact of Aboriginal Media on Ethnographic Film." Visual Anthropology Review 11, no. 2 (1995): 64-76.

Gross, L., Katz, J.S. and Ruby, J. eds. Image Ethics: The Moral Rights of Subjects in Photographs, Films, and Television. New York: Oxford UP, 1988.

Guynn, W. A Cinema of Nonfiction. Rutherford: Fairleigh Dickinson UP; London: Associated UP, 1990. 148-63, 215-3

Georgakas, D. "Malpractice in the Radical American Documentary: The Good, the Careless, and the Misconceived." Cineaste 16, nos. 1-2 (1987-88): 46-49.

Georgakas, D & Rubenstein, L.(eds), 1983, The Cineaste Interviews. On the Art and Politics of Cinema, Intervention Press, Brooklyn.

Gardner, C. and Young, A. "Science on Television: A Critique." Popular Film and Television. Ed. Tony Bennett, Susan Boyd-Bowman, Colin Mercer and Janet Woollacott. London: BFI, 1981. 171-96.

Goldsby, J. "Queens of Language: Paris is Burning." Queer Looks: Perspectives on Lesbian and Gay Film and Video. Ed. Martha Gever, John Greyson and Pratibha Parmar. New York: Routledge, 1993. 108-15.

Grant, B.K. "Point of View and Spectator Position in Wiseman's Primate and Meat." Wide Angle 13, no. 2 (1991): 56-67.

___. Voyages of Discovery: The Cinema of Frederick Wiseman. Urbana: U of Illinois P, 1992. 104-20.

*Grierson, J. "The Documentary Idea." Nonfiction Film Theory and Criticism. Ed. Richard Meran Barsam. New York: EP Dutton, 1976. 84-94.

Grieve, Anna. "Gillian Armstrong Returns to Eden." Cinema Papers no. 63 (1987): 30-33.

Guynn, W. A Cinema of Nonfiction. Rutherford: Fairleigh Dickinson UP; London: Associated UP, 1990. 69-148.

Ginsburg, F. "Notes on British Tele-Anthropology." Visual Anthropology Review 8, no. 1 (1992): 97-125.

Ginsburg, F. "Indigenous Media: Faustian Contract or Global Village?" Cultural Anthropology 6, no. 1 (1991): 92-112.

Grant, B.K. Voyages of Discovery: The Cinema of Frederick Wiseman. Urbana: U of Illinois P, 1992. 176-94.

Griffith, R. The World of Robert Flaherty. New York: Duell, Sloan and Pearce, 1953.

Grierson, J. "Flaherty." Grierson on Documentary. Ed. Forsyth Hardy. London: Faber and Faber, 1966. 139-44.

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- H -

Huston, J. "The Courage of the Men." Film: Book 2: Films of Peace and War. Ed. Robert Hughes. New York: Grove P, 1962. 22-35.

___. "Let There Be Light: The Script." Film: Book 2: Films of Peace and War. Ed. Robert Hughes. New York: Grove P, 1962. 205-33.

Halbwachs, M. On Collective Memory. Chicago: U of Chicago P, 1992.

*Hall, S. "Cultural Identity and Cinematic Representation." Framework no. 36 (1989): 68-81.

Harper, P.B. ""The Subversive Edge": Paris is Burning, Social Critique, and the Limits of Subjective Agency." Diacritics 24, nos. 2-3 (1994): 90-103.

Henderson, L. "Justify Our Love: Madonna & the Politics of Queer Sex." The Madonna Connection: Representational Politics, Subcultural Identities, and Cultural Theory. Ed. Cathy Schwichtenberg. Sydney: Allen and Unwin, 1993. 107-28.

___. "Paris is Burning and Academic Conservatism." Journal of Communication 42, no. 2 (1992): 113-22.

Harrisson, T. Living Together Through the Blitz. New York: Schocken, 1976.

*Hartley, J. Tele-ology: Studies in Television. London: Routledge, 1992. 147-57.

Haskell, M. "Wildflowers." Film Comment 29, no. 2 (1993): 35-37.

Hodgkinson, A.W. and R. R. Sheratsky. Humphrey Jennings - More Than a Maker of Films. Hanover: U of New England P, 1982.

Halberstadt, I. "An Interview with Fred Wiseman." Nonfiction Film Theory and Criticism. Ed. Richard Meran Barsam. New York: EP Dutton, 1976. 310-14.

Harper, D. "The Visual Ethnographic Narrative." Visual Anthropology 1, no. 1 (1987): 1-19.

Hughes-Freeland, F. "Representation by the Other: Indonesian Cultural Documentation." Film as Ethnography. Ed. Peter Crawford and David Turton. Manchester: Manchester UP, 1992. 242-56.

Hutchin, E. "Issues in Documentary." Journal of Film and Video 46, no. 1 (1994): 3-60.

Husmann, R. "Ethnographic Filming: The Scientific Approach." Reviews in Anthropology 5, no. 4 (1978): 487-501.

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- J -

Jarvie, I.C. "The Problem of the Real in Ethnographic Film." Current Anthropology 24, no. 3 (1983): 313-25.

Jackson, K. ed. The Humphrey Jennings Film Reader. Manchester: Carcanet P, 1993.

Jennings, M-L. ed. Humphrey Jennings: Film-Maker, Painter, Poet. London: BFI, 1982.

Judt, T. "Moving Pictures." Radical History Review no. 41 (April 1988): 129-44.

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- K -

King, N. . "Recent 'Political' Documentary: Notes on 'Union Maids' and 'Harlan County USA'." Screen 22, no. 2 (1981): 7-18.

Kulchyski, P. "The Postmodern and the Paleolithic: Notes on Technology and Native Community in the Far North." Canadian Journal of Political and Social Theory 13, no. 3 (1989): 49-62

Kaplan, E.A. Motherhood and Representation: The Mother in Popular Culture and Melodrama. New York: Routledge, 1992.

*___ "Theories and Strategies of the Feminist Documentary." In the textbook. 78-103.

*Keesing, R. et al. "Exotic Readings of Cultural Texts." Current Anthropology 30, no. 4 (1989): 459-79.

Kerr, P. "The Origins of the Mini-Series: How British TV Pushed Back the US Frontier." Broadcast (12 March 1979): 16-17.

Kilborn, R. "'Drama over Lockerbie': A New Look at Television Drama-Documentaries." Historical Journal of Film, Radio and Television 14, no. 1 (1994): 59-76.

King, N. "'How Welsh are My Eyes?': So That You Can Live. Textual Analysis and Political Cinema in the '80s." Undercut nos. 10-11 (1983-84): 26-30, 71.

Kotz, L. "Striptease East and West: Sexual Representation in Documentary Film." Framework nos. 38-39 (1992): 47-63.

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- L -

Leahy, J. "Notes on the Navajo Films." Film Form 1, no. 2 (1977): 76-100.

Levin, G.R. Documentary Explorations. Fifteen Interviews with Filmmakers. Garden City: Doubleday, 1971.

Lane, J. "Notes on Theory and the Autobiographical Documentary Film in America." Wide Angle 15, no. 3 (1993): 21-36.

Lipsitz, G. "The Meaning of Memory: Family, Class, and Ethnicity in Early Network Television Programs." Private Screenings: Television and the Female Consumer. Ed. Lynn Spigel and Denise Mann. Minneapolis: U of Minnesota P, 1992. 71-108.

___. Time Passages: Collective Memory and American Popular Culture. Minneapolis: U of Minnesota P, 1990.

*Lesage, J. "Political Aesthetics of the Feminist Documentary Film." Films for Women. Ed. Charlotte Brunsdon. London: BFI, 1987. 14-23.

Lant, A. Blackout: Reinventing Women for Wartime British Cinema. Princeton: Princeton UP, 1991. 19-58.

Lovell, A. and Hillier, J. Studies in Documentary. London: Secker and Warburg, 1972. 62-120.

Low, R. Documentary and Educational Films of the 1930s. George Allen and Unwin: London, 1979.

Lajoux, J-D. "Ethnographic Film and History." Principles of Visual Anthropology. Ed. Paul Hockings. The Hague: Mouton, 1975. 167-84.

*Loizos, P. Innovation in Ethnographic Film: From Innocence to Self-Consciousness, 1955-1985. Chicago: U of Chicago P, 1993. 56-63.

Loizos, P. Innovation in Ethnographic Film: From Innocence to Self-Consciousness, 1955-1985. Chicago: U of Chicago P, 1993. 36-44.

Low, R. Films of Comment and Persuasion of the 1930s. London: George Allen and Unwin, 1979. 60-89.

*Lutkehaus, N. "In Dialogue: Interview with Filmmaker Bob Connolly." Visual Anthropology Review 10, no. 2 (1994): 71-75.

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- M -

McCormick, R. "Union Maids." Cineaste 8, no. 1 (1977): 50-51.

McMurchy, M. "The Documentary." Australian Cinema. Ed. Scott Murray. Sydney: Allen and Unwin, 1994. 179-99.

MacBean, J.R. "The Sorrow and the Pity: France and Her Political Myths." In the textbook. 471-79.

"Memory and American History." Journal of American History 75, no. 4 (1989).

"Memory and Counter-Memory." Representations no. 26 (Spring 1989).

"Memory and History." History and Anthropology 12, no. 2 (1986).

Major, J. Review of The Panama Deception. Journal of American History 81, no. 3 (1994): 1420-21.

May, J.R. and Bird, M. eds. Religion in Film. Knoxville: U of Tennessee P, 1982.

Moore, C. "'The Guiding Hand': The Case of Aboriginal Welfare Films." Sex, Politics, Representation. Ed. Peter Botsman and Ross Harley. Sydney: Local Consumption, 1984. 26-54.

Moran, A. "Australian Documentary Cinema." Arena no. 64 (1983): 83-99.

*___. Projecting Australia: Government Film Since 1945. Sydney: Currency P, 1991. 55-81, 133-56.

*Mathews, S. 35 mm Dreams: Conversations with Five Directors and the Australian Film Revival. Ringwood: Penguin, 1984. 116-72.

McKernan, L. Topical Budget: The Great British News Film. London: BFI, 1992.

MacClancy, J. "Brief Encounter: The Meeting, in Mass-Observation, of British Surrealism and Popular Anthropology." Journal of the Royal Anthropological Institute 1, no. 3 (1995): 495-512.

Merrals, J. "Humphrey Jennings: A Biographical Sketch." Film Quarterly 15, no. 2 (1961): 29-34.

McKie, D. "Popular Science, Promotional Power and Cultural Analysis." Media, Culture and Society 16, no. 4 (1994): 693-98.

Mamber, S. Cinéma Vérité in America: Studies in Uncontrolled Documentary. Cambridge, Mass.: MIT P, 1974.

"Media Politics of Science." Media Culture and Society 17, no. 1 (1995).

Mosley, M. "Is Good, Popular Science Television Possible?" Impact of Science on Society no. 152 (1994): 387-95.

MacDougall, D. "Ethnographic Film: Failure and Promise." Annual Review of Anthropology no. 7 (1978): 405-25.

Marchessault, J. "Reflections on the Dispossessed: Video and the 'Challenge for Change' Experiment." Screen 36, no. 2 (1995): 131-46.

Marks, L.U. "White People in the Native Camera: Subverting Anthropology." Afterimage 19, no. 10 (1992): 18-19.

Markussen, B & Philipsen H.H. (eds), 1995, Advocacy and Indigenous Film-making, Nordic Papers in Critical Anthropology, Intervention Press, Brooklyn.

Michaels, E. Bad Aboriginal Art: Tradition, Media, and Technological Horizons. Minneapolis: U of Minnesota P, 1994. 21-48, 165-76.

Miller, T. "Historical Citizenship and the Fremantle Prison Follies: Frederick Wiseman Comes to Western Australia." Screening Cultural Studies. Ed. Tom O'Regan and Toby Miller. Perth: Continuum, 1994. 269-89.

Morin, E. "Chronicle of a Film." Studies in Visual Communication 11, no. 1 (1985): 4-29.

Mead, M. "Photography in Field Research." Personal Character and Cultural Milieu. Ed. D. G. Haring. Syracuse: Syracuse UP, 1956. 78-105.

"A Moving Look at Bali's Lempad." Asiaweek (25 July 1980).

MacBean, J.R. "Degrees of Otherness: A Close Reading of First Contact, Joe Leahy's Neighbors and Black Harvest." Visual Anthropology Review 10, no. 2 (1994): 55-70.

___. "Ongoing Contact: A Reply to Jay Ruby by James Roy MacBean." Visual Anthropology Review 11, no. 2 (1995): 114-16.

Manderson, L. "The Laws of a Footfall: Anthropology and the Politics of Knowledge." Meanjin 49, no. 2 (1990): 340-52.

Marks, D. "Ethnography and Ethnographic Film: From Flaherty to Asch and After." American Anthropologist 97, no. 2 (1995): 339-47.

Mead, M. "Anthropology and the Camera." A Handbook of Method in Cultural Anthropology. Ed. R. Narroll and N. Cohen. New York: Columbia UP, 1973. 246-65.

Minh-ha, T.T. "Documentary Is/Not a Name." October no. 52 (1990): 76-98.

Morphy, H. "The Interpretation of Ritual: Reflections from Film on Anthropological Practice." Man 29, no. 1 (1994): 117-46.

Myers, F. "The Politics of Representation: Anthropological Discourse and Australian Aborigines." American Ethnologist 13 (1986): 138-53.

Moffatt, T. "Something More." New Formations no. 10 (1990): 66-74.

Mudrooroo Nyoongah. "Passing for White Passing for Black: An Ideological Con-pro-testation." Continuum 8, no. 2 (1994): 258-69.

Murray, S. "Tracey Moffatt." Cinema Papers no. 79 (1990): 19-22.

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- N -

Nichols, B. Newsreel: Political Filmmaking and the American Left. New York: Arno P, 1980.

New Community no. 21 (1995).

*Nichols, B. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana UP, 1991. 165-98.

Nowell-Smith, G. "Humphrey Jennings, Surrealist Observer." All Our Yesterdays: 90 Years of British Cinema. Ed. Charles Barr. London: BFI, 1986.

*Ness, S.A. "Understanding Cultural Performance: Trobriand Cricket." The Drama Review 32, no. 4 (1988): 135-47.

Nichols, B. Blurred Boundaries: Questions of Meaning in Contemporary Culture. Bloomington: Indiana UP, 1994.

Nichols, B. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana UP, 1991. 95-98.

Nichols, B. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana UP, 1991.

___. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana UP, 1981. 170-207.

Nordström, D. A. "Persistent Images: Photographic Archives in Ethnographic Collections." Continuum 6, no. 2 (1993): 207-19.

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"Out of Sync: The Cinema of Tim Asch." Visual Anthropology Review 11, no. 1 (1995).

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Paget, D. True Stories? Documentary Drama on Radio, Screen and Stage. Manchester: Manchester UP, 1990. 1-58.

Paterson, E. "What's Up, Docs?" Time Out 16-23 August 1995: 24-25.

Patton, C. "Embodying Subaltern Memory: Kinesthesia & the Problematics of Gender & Race." The Madonna Connection: Representational Politics, Subcultural Identities, and Cultural Theory. Ed. Cathy Schwichtenberg. Sydney: Allen and Unwin, 1993. 81-105.

Portugues, C. "Seeing Subjects: Women Directors and Cinematic Autobiography." Life/Lines: Theorizing Women's Autobiography. Ed. Bella Brodzki and Celeste Schenck. Ithaca: Cornell UP, 1988. 338-50.

Pulleine, T. "The Times of Harvey Milk." Monthly Film Bulletin 52, no. 614 (1985): 123.

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- Q -

"Questions of Imagery: Ethnography and Still Photography." Journal of Museum Ethnography no. 1 (1989).

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- R -

Rabinowitz, P. "Wreckage Upon Wreckage: History, Documentary, and the Ruins of Memory." History and Theory 32, no. 2 (1993): 119-37.

Rosenstone, R.A. Visions of the Past: The Challenge of Films to our Idea of History. Cambridge, Mass.: Harvard UP, 1995.

Rosenthal, A. The Documentary Conscience: A Casebook in Film Making. Berkeley and Los Angeles: U of California P, 1980. 303-29.

Renov, M. "Newsreel: Old and New - Towards an Historical Profile." Film Quarterly 51, no. 1 (1987): 20-33.

Reeves, N. Official British Film Propaganda During the First World War. London: Croom Helm, 1986.

Robson, K.J. "Humphrey Jennings: The Legacy of Feeling." Quarterly Review of Film Studies 7, no. 1 (1982): 37-52.

Rhode. E. Tower of Babel: Speculations on the Cinema. London: Weidenfeld and Nicolson, 1966. 67-81.

"Roots." Journal of Broadcasting 22, no. 3 (1978): 279-320.

"Relations of Consumption." Media Culture and Society 16, no. 3 (1994).

Ricks, C. "Wiseman's Witness." Grand Street 8, no. 2 (1989): 160-71.

Rollwagen,J.R. ed. Anthropological Filmmaking. Chur: Harwood Academic, 1988.

Routt, W. "The Truth of Documentary." Continuum 5, no. 1 (1991): 60-75.

Ruby, J. "Letter to the Editor." Visual Anthropology Review 11, no. 1 (1995): 143.

Ruby, J. "Anthropology and Film: The Social Science Implications of Regarding Film as Communication." Quarterly Review of Film Studies 1, no. 4 (1976): 436-45.

Rotha, P. Robert J. Flaherty: A Biography. Ed. Jay Ruby. Philadelphia: U of Pennsylvania P, 1984.

Ruby, J. "A Reexamination of the Early Career of Robert J. Flaherty." Quarterly Review of Film Studies 5, no. 4 (1981): 431-57.

Riggins, S. ed. Ethnic Minority Media: An International Perspective. Newbury Park: Sage, 1992.

Roth, L. and Valaskasis, G. "Aboriginal Broadcasting in Canada: A Case Study in Democratisation." Communication For and Against Democracy. Ed. Marc Raboy and Peter A. Bruck. Montreal: Black Rose, 1989. 221-34.

Rouch, J. "The Camera and Man." Principles of Visual Anthropology. Ed. Paul Hockings. The Hague: Mouton, 1975. 83-102.

___. "The Situation and Tendencies of the Cinema in Africa (Parts I and II)." Studies in the Anthropology of Visual Communication 2, no. 1 (1975): 51-58 and 2, no. 2 (1975): 112-21.

___. "On the Vicissitudes of the Self: The Possessed Dancer, the Magician, the Sorcerer, the Filmmaker, and the Ethnographer." Studies in the Anthropology of Visual Communication 5, no. 1 (1978): 2-8.

Ruby, J. "Ethnography as Trompe L'Oeil: Film and Anthropology." A Crack in the Mirror: Reflexive Perspectives in Anthropology. Ed. Jay Ruby. Philadelphia: U of Pennsylvania P, 1982. 121-31.

___. "Exposing Yourself: Reflexivity, Anthropology and Film." Semiotica 30, nos. 1-2 (1980): 153-79.

*___. "The Image Mirrored: Reflexivity and the Documentary Film." In the textbook. 64-77.

___. "Speaking for, Speaking about, Speaking with, or Speaking alongside: An Anthropological and Documentary Dilemma." Journal of Film and Video 44, nos. 1-2 (1992): 42-66.

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Shilts, R. "The Life and Death of Harvey Milk." The Christopher Street Reader. Ed. Michael Denneny, Charles Ortleb and Thomas Steele. New York: Wideview/Perigree, 1983. 390-408.

Sobchak, V. "Inscribing Ethical Space: Ten Propositions on Death, Representation, and Documentary." Quarterly Review of Film Studies 9, no. 4 (1984): 283-300.

Sobchak, V. ed. The Persistence of History: Cinema, Television, and the Modern Event. New York: Routledge, 1995.

"Social Memory." Communication 11, no. 2 (1989).

Simpson, P. Review. Screen 36, no. 3 (1995): 301-04.

Smith, M. "Old Novel, New Women." Cinema Papers no. 103 (March 1995): 4-12, 54.

Spitulnik, D. "Anthropology and Mass Media." Annual Review of Anthropology no. 22 (1993): 293-315.

Sorenssen, B. "The Documentary Aesthetics of Humphrey Jennings." Documentary and the Mass Media. Ed. John Corner. London: Edward Arnold, 1986. 46-63.

Swann, P. The British Documentary Film Movement, 1926-1946. Cambridge: Cambridge UP, 1989.

Silverstone, R. Framing Science: The Making of a BBC Documentary. London: BFI, 1985.

Skinningsrud, T. "Anthropological Films and the Myth of Scientific Truths." Visual Anthropology 1, no. 1 (1987): 47-53.

Snyder, J. "Documentary Without Ontology." Studies in Visual Communication 10, no. 1 (1984): 78-95.

Sorenson, E.R. "Anthropological Film: A Scientific and Humanistic Resource." Science 186, no. 4169 (1974): 1079-84.

Sherwood,R. "Robert Flaherty's Nanook of the North." The Documentary Tradition, 2nd ed. Ed. Lewis Jacobs. New York: WW Norton, 1979. 15-19.

"Special Issue on Documentary." Quarterly Review of Film Studies 7, no. 1 (1982).

*Stam, R. Subversive Pleasures: Bakhtin, Cultural Criticism, and Film. Baltimore and London: The Johns Hopkins UP, 1989. 157-86.

Stocking, G.W. ed. Observers Observed: Essays on Ethnographic Fieldwork. Madison: U of Wisconsin P, 1983.

Stoller, P. The Cinematic Griot: The Ethnography of Jean Rouch. Chicago: U of Chicago P, 1992. 132-43.

Studies in Visual Communication 6, no. 2 (1980).

Sutherland, A.T. "Wiseman on Polemic." Sight and Sound 47, no. 2 (1978): 82.

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Taylor, R. Film Propaganda. New York: Barnes and Noble, 1979.

Terry, J. and Urla, J. eds. Deviant Bodies: Critical Perspectives on Difference in Science and Popular Culture. Bloomington: Indiana UP, 1995.

"Theory and Practice of Visual Sociology." Current Sociology 34, no. 3 (1986).

Taylor, L. ed. Visualizing Theory: Essays from Visual Anthropology Review. New York: Routledge, 1993.

Thompson, D. "A Sight for Sore Eyes." Film Comment 29, no. 2 (1993): 54-59.

Torgovnick, M. Gone Primitive: Savage Intellectuals, Modern Lives. Chicago: Chicago UP, 1990.

Taureg, M. and Ruby, J. eds. Visual Explorations of the World. Aachen: Herodot, 1987.

Tomaselli, K.G. 1988, The Cinema of Apartheid: Race and Class in South African Film, Intervention Press, Brooklyn.

Tomaselli, K.G. 1989, Rethinking Culture, Intervention Press, Brooklyn.

Tomaselli, K.G. and Prinsloo, J. . "Video, Realism and Class Struggle: Theoretical Lacunae and the Problem of Power." Continuum 3, no. 2 (1990): 140-59.

 

 

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Ukadike, N.F. "African Cinematic Reality: The Documentary Tradition as an Emerging Trend." Research in African Literatures 26, no. 3 (1995): 88-96.

___. Black African Cinema. Berkeley and Los Angeles: U of California P, 1994. 48-58.

 

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Valaskakis, G. "Communication and Control in the Canadian North: The Inuit Experience." Communications in Canadian Society. Ed. B. D. Singer. Don Mills: Addison-Wesley, 1983. 247-57.

Varan, D. "Introducing Television: Seven Lessons from the Cook Islands." Pacific Journal of Communication 16, no. 1 (1993): 29-61.

___. "Television, Culture and State: New Forums for Negotiating Identity in the Pacific." Continuum 8, no. 2 (1994): 293-306.

Vaughan, D. Portrait of an Invisible Man: The Working Life of Stewart McAllister, Film Editor. London: BFI, 1983.

Vaughan, D. Television Documentary Usage. London: BFI, 1976. 1-7.

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- W -

Williams, L. "Truth, History, and the New Documentary." Film Quarterly 46, no. 3 (1993): 9-20.

Williams, P and Chrisman, L. eds. Colonial Discourse/Post-Colonial Theory. New York: Columbia UP, 1993. 125-267.

Welch, D. Propaganda and the German Cinema, 2nd ed. Oxford: Oxford UP, 1987.

Warrick, S. "High Tide." Film Quarterly 42, no. 4 (1989): 21-26.

Winston, B. Claiming the Real: The Griersonian Documentary and its Limitations. London: BFI, 1995.

Wees, W.C. Recycled Images: The Art and Politics of Found Footage Films. New York: Anthology Film Archives, 1993.

Weiner, A.B. "Trobriand Cricket: An Ingenious Response to Colonialism." American Anthropologist 79, no. 2 (1977): 506-07.

*___. "Trobrianders on Camera and off: The Film that did not Get Made." Visual Anthropology Review 8, no. 1 (1992): 103-06.

Winston, B. "The Documentary Film as Scientific Inscription." Theorizing Documentary. Ed. Michael Renov. New York: Routledge, 1993. 37-57.

Worth, S. Studying Visual Communication. Ed. Larry Gross. Philadelphia: U of Pennsylvania P, 1981.

Worth, S. and Adair, J. Through Navajo Eyes: An Exploration in Film Communication and Anthropology. Bloomington: Indiana UP, 1972.

Warren, C. ed. Beyond Document: Essays on Nonfiction Film. Hanover: UP of New England, 1996.

Waugh, T. ed. 'Show Us Life': Toward a History and Aesthetic of the Committed Documentary. Metuchen: Scarecrow P, 1984.

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Youdelman, J. "Narration, Invention, & History: A Documentary Dilemma." In the textbook. 454-64.

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Zheutlin, B. "The Art and Politics of the Documentary: A Symposium." Cineaste 6, no. 3 (1981): 12-21.

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