Documentary Film Bibliography

Compiled by Toby Miller
Edited, re-presented and added to by Tom O’Regan and Rita Shanahan

Bibliography of selected texts on the genre of documentary. Part of the Documentary site in the Culture and Communication Reading Room at Murdoch University.


- A -

Adamowicz, E. "Ethnology, Ethnographic Film and Surrealism." Anthropology Today 9, no. 1 (1993): 21.

Adams, J.W. "Representation and Context in the Ethnographic Film." Film Criticism 4, no. 1 (1979): 89-100.

Aitken, I. Film and Reform: John Grierson and the Documentary Film Movement. London: Routledge, 1990.

Anderson, L. "Only Connect: Some Aspects of the Work of Humphrey Jennings." Nonfiction Film Theory and Criticism. Ed. Richard Meran Barsam. New York: EP Dutton, 1976. 263-70.

Armstrong, D. "Wiseman's Model and the Documentary Project: Toward a Radical Film Practice." In the textbook. 180-90.

Asch, T. et al. "Ethnographic Film: Structure and Function." Annual Review of Anthropology no. 2 (1973): 179-87.

Asch, T. et al. "The Story We Now Want to Hear is Not Ours to Tell--Relinquishing Control over Representation: Toward Sharing Visual Communication Skills with the Yanomamo." Visual Anthropology Review 7, no. 1 (1991): 102-06.

Ash, J. "Philosophy on the Catwalk: The Making and Wearing of Vivienne Westwood's Clothes." Chic Thrills: A Fashion Reader. Ed. Juliet Ash and Elizabeth Wilson. Berkeley and Los Angeles: U of California P, 1993. 169-85.

Aspinall, S. "This Sadder Recognition" - Interview with Raymond Williams." Screen 23, nos. 3-4 (1982): 144-52.

___ and Mandy Merck. "'So That You Can Live' II." Screen 23, nos. 3-4 (1982): 157-60.

Atkins, T.R. "Reality Fictions": Wiseman on Primate." Frederick Wiseman. Ed. Thomas R. Atkins. New York: Monarch P, 1976. 75-87.

Attenborough, D. "Honesty and Dishonesty in Documentary Film Making." Photographic Journal no. 101 (1961): 97-103.

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Bates, P. "Truth not Guaranteed: An Interview with Errol Morris." Cineaste 17, no. 1 (1989): 16-17.

Bodnar, J. Remaking America: Public Memory, Commemoration, and Patriotism in the Twentieth Century. Princeton: Princeton UP, 1992.

Bruss, E. "Eye for I: Making and Unmaking Autobiography in Film." Autobiography: Essays Theoretical and Critical. Ed. James Olney. Princeton: Princeton UP, 1980. 296-3

Bertrand. I, and Collins, D. Government and Film in Australia. Sydney: Currency P/Australian Film Institute, 1981. 72-93.

British Film Institute. The Film in Colonial Development. London: BFI, 1948.

Burnett, R. "Developments in Cultural Identity Through Film: The Documentary Film, The National Film Board and Quebec Nationalism." Australian-Canadian Studies no. 3 (1985): 44-52.

Burton, J. ed. The Social Documentary in Latin America. Pittsburgh: U of Pittsburgh P, 1990.

Bad Object Choices, ed. How Do I Look? Queer Film and Video. Seattle: Bay P, 1991.

Banks, M. "Talking Heads and Moving Pictures: David Byrne's True Stories and the Anthropology of Film." Visual Anthropology 3, no. 1 (1990): 1-9.

Barnouw, E. Documentary: A History of the Non-Fiction Film, 2nd rev. ed. Oxford: Oxford UP, 1993. 144-48.

Barsam, R.M. "American Direct Cinema: The Re-Presentation of Reality." Persistence of Vision 3, no. 4 (1986): 131-57.

Bell, P. and Boehringer, K. "Publicising Progress: Science on Australian Television." Australian Television: Programs, Pleasures and Politics. Ed. John Tulloch and Graeme Turner. Sydney: Allen and Unwin, 1989. 103-19.

Bell, P. and van Leeuwen, T. The Media Interview: Confession, Contest, Conversation. Sydney: U of New South Wales P, 1994.

Brisebois, D. "The Inuit Broadcasting Corporation." Anthropologica 25, no. 1 (1983): 107-15.

Bromhead, Toni de, 1995, Looking Two Ways, Intervention Press, Brooklyn.

Burnett, R. "The Eyes Don't Have It: Video Images and Ethnography." Continuum 3, no. 2 (1990): 119-39.

bell hooks. Black Looks: Race and Representation. Boston: South End P, 1992. 145-64.

Benson, T.W. "The Rhetorical Structure of Frederick Wiseman's Model." Journal of Film and Video 36, no. 4 (1984): 30-40.

Bogart, N.C.R. and Ketelaar, H.W.E.R. eds. Methodology in Anthropological Filmmaking. Göttingen: Herodot, 1983.

Bowlby, R. Shopping with Freud. London: Routledge, 1993.

Birnie Danzker,J.A. ed. Robert J. Flaherty: Photographer/Filmmaker. Vancouver: Vancouver Art Gallery, 1979.

Barsam, R. The Vision of Robert Flaherty: The Artist as Myth and Filmmaker. Bloomington: Indiana UP, 1988. 12-27.

Barnouw, D. "Seeing and Believing: The Thin Blue Line of Documentary Objectivity." Common Knowledge 4, no. 1 (1995): 129-43.

Barnouw, E. Documentary: A History of the Non-Fiction Film, 2nd rev. ed. Oxford: Oxford UP, 1993. 36-48.

Batty, P. "Singing the Electric." Channels of Resistance: Global Television and Local Empowerment. Ed. Tony Dowmunt. London: BFI, 1993. 106-25.

Banks, M. "Television and Anthropology: An Unhappy Marriage?" Visual Anthropology 7, no. 1 (1994): 21-45.

___ and Mead, M. Balinese Character: A Photographic Analysis. New York: Academy of Sciences, 1942. 231-55.

Boonzajer Flaes, R. ed. Eyes Across the Water. Amsterdam: Het Spinhuis, 1989.

*de Brigard, E. "The History of Ethnographic Film." Principles of Visual Anthropology. Ed. Paul Hockings. The Hague: Mouton, 1975. 13-43.

Bourdon, J. "Television and Popular Memory." Trans. Julia Waley. Media, Culture and Society 14, no. 4 (1992): 541-60.

Breitbart, E. "From the Panorama to the Docudrama: Notes on the Visualization of History." Radical History Review no. 25 (1981): 115-25.

Burton, J, 1983, The New Latin American Cinema. An Annotated Bibliography, 1960-1980, Intervention Press, Brooklyn.

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Cumings, B. War and Television. London: Verso, 1992. 49-82.

Cunningham, S. "Style, Form and History in Australian Mini-Series." Southern Review 22, no. 3 (1988): 315-30.

Cordaiy, H. "Real Stories Gillian Armstrong." Filmviews 33, no. 137 (1988): 20-22.

Critical Studies in Mass Communication 7, no. 1 (1990): 1-79.

Cunningham, S. "The Look and its Revocation: Wiseman's Primate." Australian Journal of Screen Theory nos. 11-12 (1982): 86-95.

Curry, T.J. "Frederick Wiseman: Sociological Filmmaker?" Contemporary Sociology 14, no. 1 (1985): 35-39.

___ and A. C. Clarke. Introducing Visual Sociology. Dubuque: Kendall-Hunt, 1983.

Cunningham, S. Featuring Australia: The Cinema of Charles Chauvel. Sydney: Allen and Unwin, 1991.

Curtin, M. Redeeming the Wasteland: Television Documentary and Cold War Politics. New Brunswick: Rutgers UP, 1995.

Cham, M.B. and Andrade-Watkins, C. ed. Critical Perspectives on Black Independent Cinema. Cambridge, Mass.: MIT P, 1988.

"The Cinema of Jean Rouch." Visual Anthropology 2, nos. 3-4 (1989).

Clifford, J. "On Ethnographic Surrealism." Comparative Studies in Society and History 23, no. 4 (1981): 539-64.

Cohen, H. "The Ax Fight: Mapping Anthropology on Film." Ciné-Tracts 2, no. 2 (1979): 62-73.

___. "From Ethnographic Film to Indigenous Cinema: Communication and the Evolution of the Ethnographic Subject." Australian Journal of Communication nos. 9-10 (1986): 42-50.

Collier, H. Jr. and Malcolm Collier. Visual Anthropology: Photography as a Research Method. Albuquerque: U of New Mexico P, 1986. 151-60.

"Confronting Reality: Some Perspectives on Documentary." Cilect Review 2, no. 1 (1986).

Connor, L. Asch, P. and Asch, T. Jero Tapakan: Balinese Healer: An Ethnographic Film Monograph. Cambridge: Cambridge UP, 1986.

Corner, J. and Richardson, K. "Documentary Meanings and the Discourse of Interpretation." Documentary and the Mass Media. Ed. John Corner. London: Edward Arnold, 1986. 141-60.

Canberra Anthropology 17, no. 2 (1994): 73-102.

Chiozzi, P. "Reflections on Ethnographic Film with a General Bibliography." Trans. Denise Dresner. Visual Anthropology 2, no. 1 (1989): 1-84.

Calder-Marshall, A. The Innocent Eye: The Life of Robert Flaherty. London: WH Allen, 1963.

Carroll, N. "From Real to Reel: Entangled in Nonfiction Film." Philosophic Exchange no. 14 (1983): 5-45.

Canudo, R. "Another View of Nanook." The Documentary Tradition, 2nd ed. Ed. Lewis Jacobs. New York: WW Norton, 1979. 20-21.

Carpenter, E. "If Wittgenstein had been an Eskimo." Natural History 89, no. 2 (1980): 72-77.

Corliss, R. "Robert Flaherty: The Man in the Iron Myth." Nonfiction Film Theory and Criticism. Ed. Richard Meran Barsam. New York: EP Dutton, 1976. 230-38.

Clarke, J. "'So That You Can Live' I." Screen 23, nos. 3-4 (1982): 153-56.

Colls, R. and Dodd, P. "Representing the Nation: British Documentary Film, 1930-45." Screen 26, no. 1 (1985): 21-33.

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De Greef, W and Hesling, W. eds. Image Reality Spectator: Essays on Documentary Film. Leuven: Acco, 1989.

Dowmunt, T. ed. Channels of Resistance: Global Television and Local Empowerment. London: BFI, 1

Daston, L. and Galison, P. "The Image of Objectivity." Representations no. 40 (1992): 81-128.

"The Dismissal in Circulation: A Trilogy." Australian Journal of Cultural Studies 1, no. 2 (1983): 83-100.

Drama-Documentary. London: BFI Dossier no. 19, 1981.

"A Detour 'Round' So That You Can Live." Framework no. 19 (1982): 10-16.

Dissanayake, W. "Introduction: Nationhood, History, and Cinema: Reflections on the Asian Scene." Colonialism and Nationalism in Asian Cinema. Ed. Wimal Dissanayake. Bloomington: Indiana UP, 1994. ix-xxix.

Densham, D.H. The Construction of Research Films. Los Angeles: Pergamon P, 1959.

Dornan, C. "Science and Scientism in the Media." Science as Culture no. 7 (1989): 101-21.

Dunn, R.G. "Science, Technology and Bureaucratic Domination: Television and the Ideology of Scientism." Media, Culture and Society 1, no. 4 (1979): 343-54.

Dunlop, I. "Ethnographic Film Making in Australia: The First 70 Years (1898-1968)." Studies in Visual Communication 9, no. 1 (1983): 11-18.

Darling, J. "Lempad of Bali." Simply Living (June 1980).

Diawara, M. African Cinema: Politics and Culture. Bloomington: Indiana UP, 1992. 21-34, 52-55, 93-103.

Dyer MacCann, R. The People's Films: A Political History of U. S. Government Motion Pictures. New York: Hastings House, 1973.

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- E -

Edgerton, G. "Revisiting the Recordings of Wars Past: Remembering the Documentary Trilogy of John Huston." Journal of Popular Film and Television 15, no. 1 (1987): 27-41.

Erens, P. "The Times of Harvey Milk: An Interview with Robert Epstein." Cineaste 14, no. 3 (1986): 26-27.

Eulogy for Harvey Milk." American Film 10, no. 2 (1984): 62.

Egan, S. "Encounters in Camera: Autobiography as Interaction." Modern Fiction Studies 40, no. 3 (1994): 593-618.

Erens, P. "Women's Documentaries as Social History." Film Library Quarterly 14, nos. 1-2 (1981): 4-9.

*___. "Women's Documentary Filmmaking: The Personal is Political." In the textbook. 554-65.

Evans, G. John Grierson and the National Film Board of Canada. Toronto: U of Toronto P, 1984.

*Everist, R. "Her Early Career: Gillian Armstrong's Short Films." Don't Shoot Darling! Women's Independent Filmmaking in Australia. Ed. Annette Blonski, Barbara Creed and Freda Freiberg. Richmond: Greenhouse, 1987. 314-22.

"Early Non-Fiction Cinema." Historical Journal of Film, Radio and Television 15, no. 4 (1995).

*Eaton, M. ed. Anthropology-Reality-Cinema: The Films of Jean Rouch. London: BFI, 1979.

Elliott, W.R. and Rosenberg, W.L. "Media Exposure and Beliefs about Science and Technology." Communication Research 14, no. 2 (1987): 164-88.

Ellis, J.C. The Documentary Idea: A Critical History of English-Language Documentary Film and Video. Englewood Cliffs: Prentice Hall, 1989.

"Ethnographic Film." Cambridge Anthropology (1977).

Edwards, E. ed. Anthropology and Photography 1860-1920. New Haven: Yale UP, 1992.

Eitzen, D. "When is a Documentary?: Documentary as a Mode of Reception." Cinema Journal 35, no. 1 (1995): 81-102.

Evans, D. Sexual Citizenship: The Material Construction of Sexualities. London: Routledge, 1993.

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Fischel, A. "Engagement and the Documentary." Jump Cut no. 34 (1989): 35-40.

Foucault, M. "Film and Popular Memory." Trans. Martin Jordin. Foucault Live (Interviews, 1966-84). Ed. Sylvère Lotringer. New York: Semiotext(e), 1989. 89-106.

*Feldman, S. "Footnote to Fact: The Docudrama." Film Genre Reader. Ed. Barry Keith Grant. Austin: U of Texas P, 1986. 344-56.

Freccero, C. "Unruly Bodies: Popular Culture Challenges to the Regime of Body Backlash: Two Live Crew and Madonna." Visual Anthropology Review 9, no. 1 (1993): 74-81.

"Feminist Approaches to the Visualization of Culture." Visual Anthropology Review 9, no. 1 (1993).

"Fiction and Documentary." Dox no. 2 (Summer 1994): 18-29.

Fielding, R. The American Newsreel, 1911-1967. Norman: U of Oklahoma P, 1972.

___. The March of Time, 1935-1951. New York: Oxford UP, 1978.

Foley, B. Telling the Truth: The Theory and Practice of Documentary Fiction. Ithaca: Cornell UP, 1986. 29-41.

Frow, J. "Knowledge and Class." Cultural Studies 7, no. 2 (1993): 240-81.

Flaherty, R.J. "How I Filmed Nanook of the North." Film Makers on Film Making: Statements on Their Art by Thirty Directors. Ed. Harry M. Geduld. Harmondsworth: Penguin, 1967. 68-75.

de France, C. "Filmic Anthropology: A Difficult but Promising Birth." Trans. Francoise Florack. Visual Anthropology 6, no. 1 (1993): 1-23.

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Ginsburg, F. "Embedded Aesthetics: Creating a Discursive Space for Indigenous Media." Cultural Anthropology 9, no. 3 (1994): 365-83.

___. "In Whose Image? Indigenous Media from Aboriginal Central Australia." Commission on Visual Anthropology Review (1989): 16-20.

___. "The Parallax Effect: The Impact of Aboriginal Media on Ethnographic Film." Visual Anthropology Review 11, no. 2 (1995): 64-76.

Gross, L., Katz, J.S. and Ruby, J. eds. Image Ethics: The Moral Rights of Subjects in Photographs, Films, and Television. New York: Oxford UP, 1988.

Guynn, W. A Cinema of Nonfiction. Rutherford: Fairleigh Dickinson UP; London: Associated UP, 1990. 148-63, 215-3

Georgakas, D. "Malpractice in the Radical American Documentary: The Good, the Careless, and the Misconceived." Cineaste 16, nos. 1-2 (1987-88): 46-49.

Georgakas, D & Rubenstein, L.(eds), 1983, The Cineaste Interviews. On the Art and Politics of Cinema, Intervention Press, Brooklyn.

Gardner, C. and Young, A. "Science on Television: A Critique." Popular Film and Television. Ed. Tony Bennett, Susan Boyd-Bowman, Colin Mercer and Janet Woollacott. London: BFI, 1981. 171-96.

Goldsby, J. "Queens of Language: Paris is Burning." Queer Looks: Perspectives on Lesbian and Gay Film and Video. Ed. Martha Gever, John Greyson and Pratibha Parmar. New York: Routledge, 1993. 108-15.

Grant, B.K. "Point of View and Spectator Position in Wiseman's Primate and Meat." Wide Angle 13, no. 2 (1991): 56-67.

___. Voyages of Discovery: The Cinema of Frederick Wiseman. Urbana: U of Illinois P, 1992. 104-20.

*Grierson, J. "The Documentary Idea." Nonfiction Film Theory and Criticism. Ed. Richard Meran Barsam. New York: EP Dutton, 1976. 84-94.

Grieve, Anna. "Gillian Armstrong Returns to Eden." Cinema Papers no. 63 (1987): 30-33.

Guynn, W. A Cinema of Nonfiction. Rutherford: Fairleigh Dickinson UP; London: Associated UP, 1990. 69-148.

Ginsburg, F. "Notes on British Tele-Anthropology." Visual Anthropology Review 8, no. 1 (1992): 97-125.

Ginsburg, F. "Indigenous Media: Faustian Contract or Global Village?" Cultural Anthropology 6, no. 1 (1991): 92-112.

Grant, B.K. Voyages of Discovery: The Cinema of Frederick Wiseman. Urbana: U of Illinois P, 1992. 176-94.

Griffith, R. The World of Robert Flaherty. New York: Duell, Sloan and Pearce, 1953.

Grierson, J. "Flaherty." Grierson on Documentary. Ed. Forsyth Hardy. London: Faber and Faber, 1966. 139-44.

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Huston, J. "The Courage of the Men." Film: Book 2: Films of Peace and War. Ed. Robert Hughes. New York: Grove P, 1962. 22-35.

___. "Let There Be Light: The Script." Film: Book 2: Films of Peace and War. Ed. Robert Hughes. New York: Grove P, 1962. 205-33.

Halbwachs, M. On Collective Memory. Chicago: U of Chicago P, 1992.

*Hall, S. "Cultural Identity and Cinematic Representation." Framework no. 36 (1989): 68-81.

Harper, P.B. ""The Subversive Edge": Paris is Burning, Social Critique, and the Limits of Subjective Agency." Diacritics 24, nos. 2-3 (1994): 90-103.

Henderson, L. "Justify Our Love: Madonna & the Politics of Queer Sex." The Madonna Connection: Representational Politics, Subcultural Identities, and Cultural Theory. Ed. Cathy Schwichtenberg. Sydney: Allen and Unwin, 1993. 107-28.

___. "Paris is Burning and Academic Conservatism." Journal of Communication 42, no. 2 (1992): 113-22.

Harrisson, T. Living Together Through the Blitz. New York: Schocken, 1976.

*Hartley, J. Tele-ology: Studies in Television. London: Routledge, 1992. 147-57.

Haskell, M. "Wildflowers." Film Comment 29, no. 2 (1993): 35-37.

Hodgkinson, A.W. and R. R. Sheratsky. Humphrey Jennings - More Than a Maker of Films. Hanover: U of New England P, 1982.

Halberstadt, I. "An Interview with Fred Wiseman." Nonfiction Film Theory and Criticism. Ed. Richard Meran Barsam. New York: EP Dutton, 1976. 310-14.

Harper, D. "The Visual Ethnographic Narrative." Visual Anthropology 1, no. 1 (1987): 1-19.

Hughes-Freeland, F. "Representation by the Other: Indonesian Cultural Documentation." Film as Ethnography. Ed. Peter Crawford and David Turton. Manchester: Manchester UP, 1992. 242-56.

Hutchin, E. "Issues in Documentary." Journal of Film and Video 46, no. 1 (1994): 3-60.

Husmann, R. "Ethnographic Filming: The Scientific Approach." Reviews in Anthropology 5, no. 4 (1978): 487-501.

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Jarvie, I.C. "The Problem of the Real in Ethnographic Film." Current Anthropology 24, no. 3 (1983): 313-25.

Jackson, K. ed. The Humphrey Jennings Film Reader. Manchester: Carcanet P, 1993.

Jennings, M-L. ed. Humphrey Jennings: Film-Maker, Painter, Poet. London: BFI, 1982.

Judt, T. "Moving Pictures." Radical History Review no. 41 (April 1988): 129-44.

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- K -

King, N. . "Recent 'Political' Documentary: Notes on 'Union Maids' and 'Harlan County USA'." Screen 22, no. 2 (1981): 7-18.

Kulchyski, P. "The Postmodern and the Paleolithic: Notes on Technology and Native Community in the Far North." Canadian Journal of Political and Social Theory 13, no. 3 (1989): 49-62

Kaplan, E.A. Motherhood and Representation: The Mother in Popular Culture and Melodrama. New York: Routledge, 1992.

*___ "Theories and Strategies of the Feminist Documentary." In the textbook. 78-103.

*Keesing, R. et al. "Exotic Readings of Cultural Texts." Current Anthropology 30, no. 4 (1989): 459-79.

Kerr, P. "The Origins of the Mini-Series: How British TV Pushed Back the US Frontier." Broadcast (12 March 1979): 16-17.

Kilborn, R. "'Drama over Lockerbie': A New Look at Television Drama-Documentaries." Historical Journal of Film, Radio and Television 14, no. 1 (1994): 59-76.

King, N. "'How Welsh are My Eyes?': So That You Can Live. Textual Analysis and Political Cinema in the '80s." Undercut nos. 10-11 (1983-84): 26-30, 71.

Kotz, L. "Striptease East and West: Sexual Representation in Documentary Film." Framework nos. 38-39 (1992): 47-63.

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Leahy, J. "Notes on the Navajo Films." Film Form 1, no. 2 (1977): 76-100.

Levin, G.R. Documentary Explorations. Fifteen Interviews with Filmmakers. Garden City: Doubleday, 1971.

Lane, J. "Notes on Theory and the Autobiographical Documentary Film in America." Wide Angle 15, no. 3 (1993): 21-36.

Lipsitz, G. "The Meaning of Memory: Family, Class, and Ethnicity in Early Network Television Programs." Private Screenings: Television and the Female Consumer. Ed. Lynn Spigel and Denise Mann. Minneapolis: U of Minnesota P, 1992. 71-108.

___. Time Passages: Collective Memory and American Popular Culture. Minneapolis: U of Minnesota P, 1990.

*Lesage, J. "Political Aesthetics of the Feminist Documentary Film." Films for Women. Ed. Charlotte Brunsdon. London: BFI, 1987. 14-23.

Lant, A. Blackout: Reinventing Women for Wartime British Cinema. Princeton: Princeton UP, 1991. 19-58.

Lovell, A. and Hillier, J. Studies in Documentary. London: Secker and Warburg, 1972. 62-120.

Low, R. Documentary and Educational Films of the 1930s. George Allen and Unwin: London, 1979.

Lajoux, J-D. "Ethnographic Film and History." Principles of Visual Anthropology. Ed. Paul Hockings. The Hague: Mouton, 1975. 167-84.

*Loizos, P. Innovation in Ethnographic Film: From Innocence to Self-Consciousness, 1955-1985. Chicago: U of Chicago P, 1993. 56-63.

Loizos, P. Innovation in Ethnographic Film: From Innocence to Self-Consciousness, 1955-1985. Chicago: U of Chicago P, 1993. 36-44.

Low, R. Films of Comment and Persuasion of the 1930s. London: George Allen and Unwin, 1979. 60-89.

*Lutkehaus, N. "In Dialogue: Interview with Filmmaker Bob Connolly." Visual Anthropology Review 10, no. 2 (1994): 71-75.

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McCormick, R. "Union Maids." Cineaste 8, no. 1 (1977): 50-51.

McMurchy, M. "The Documentary." Australian Cinema. Ed. Scott Murray. Sydney: Allen and Unwin, 1994. 179-99.

MacBean, J.R. "The Sorrow and the Pity: France and Her Political Myths." In the textbook. 471-79.

"Memory and American History." Journal of American History 75, no. 4 (1989).

"Memory and Counter-Memory." Representations no. 26 (Spring 1989).

"Memory and History." History and Anthropology 12, no. 2 (1986).

Major, J. Review of The Panama Deception. Journal of American History 81, no. 3 (1994): 1420-21.

May, J.R. and Bird, M. eds. Religion in Film. Knoxville: U of Tennessee P, 1982.

Moore, C. "'The Guiding Hand': The Case of Aboriginal Welfare Films." Sex, Politics, Representation. Ed. Peter Botsman and Ross Harley. Sydney: Local Consumption, 1984. 26-54.

Moran, A. "Australian Documentary Cinema." Arena no. 64 (1983): 83-99.

*___. Projecting Australia: Government Film Since 1945. Sydney: Currency P, 1991. 55-81, 133-56.

*Mathews, S. 35 mm Dreams: Conversations with Five Directors and the Australian Film Revival. Ringwood: Penguin, 1984. 116-72.

McKernan, L. Topical Budget: The Great British News Film. London: BFI, 1992.

MacClancy, J. "Brief Encounter: The Meeting, in Mass-Observation, of British Surrealism and Popular Anthropology." Journal of the Royal Anthropological Institute 1, no. 3 (1995): 495-512.

Merrals, J. "Humphrey Jennings: A Biographical Sketch." Film Quarterly 15, no. 2 (1961): 29-34.

McKie, D. "Popular Science, Promotional Power and Cultural Analysis." Media, Culture and Society 16, no. 4 (1994): 693-98.

Mamber, S. Cinéma Vérité in America: Studies in Uncontrolled Documentary. Cambridge, Mass.: MIT P, 1974.

"Media Politics of Science." Media Culture and Society 17, no. 1 (1995).

Mosley, M. "Is Good, Popular Science Television Possible?" Impact of Science on Society no. 152 (1994): 387-95.

MacDougall, D. "Ethnographic Film: Failure and Promise." Annual Review of Anthropology no. 7 (1978): 405-25.

Marchessault, J. "Reflections on the Dispossessed: Video and the 'Challenge for Change' Experiment." Screen 36, no. 2 (1995): 131-46.

Marks, L.U. "White People in the Native Camera: Subverting Anthropology." Afterimage 19, no. 10 (1992): 18-19.

Markussen, B & Philipsen H.H. (eds), 1995, Advocacy and Indigenous Film-making, Nordic Papers in Critical Anthropology, Intervention Press, Brooklyn.

Michaels, E. Bad Aboriginal Art: Tradition, Media, and Technological Horizons. Minneapolis: U of Minnesota P, 1994. 21-48, 165-76.

Miller, T. "Historical Citizenship and the Fremantle Prison Follies: Frederick Wiseman Comes to Western Australia." Screening Cultural Studies. Ed. Tom O'Regan and Toby Miller. Perth: Continuum, 1994. 269-89.

Morin, E. "Chronicle of a Film." Studies in Visual Communication 11, no. 1 (1985): 4-29.

Mead, M. "Photography in Field Research." Personal Character and Cultural Milieu. Ed. D. G. Haring. Syracuse: Syracuse UP, 1956. 78-105.

"A Moving Look at Bali's Lempad." Asiaweek (25 July 1980).

MacBean, J.R. "Degrees of Otherness: A Close Reading of First Contact, Joe Leahy's Neighbors and Black Harvest." Visual Anthropology Review 10, no. 2 (1994): 55-70.

___. "Ongoing Contact: A Reply to Jay Ruby by James Roy MacBean." Visual Anthropology Review 11, no. 2 (1995): 114-16.

Manderson, L. "The Laws of a Footfall: Anthropology and the Politics of Knowledge." Meanjin 49, no. 2 (1990): 340-52.

Marks, D. "Ethnography and Ethnographic Film: From Flaherty to Asch and After." American Anthropologist 97, no. 2 (1995): 339-47.

Mead, M. "Anthropology and the Camera." A Handbook of Method in Cultural Anthropology. Ed. R. Narroll and N. Cohen. New York: Columbia UP, 1973. 246-65.

Minh-ha, T.T. "Documentary Is/Not a Name." October no. 52 (1990): 76-98.

Morphy, H. "The Interpretation of Ritual: Reflections from Film on Anthropological Practice." Man 29, no. 1 (1994): 117-46.

Myers, F. "The Politics of Representation: Anthropological Discourse and Australian Aborigines." American Ethnologist 13 (1986): 138-53.

Moffatt, T. "Something More." New Formations no. 10 (1990): 66-74.

Mudrooroo Nyoongah. "Passing for White Passing for Black: An Ideological Con-pro-testation." Continuum 8, no. 2 (1994): 258-69.

Murray, S. "Tracey Moffatt." Cinema Papers no. 79 (1990): 19-22.

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Nichols, B. Newsreel: Political Filmmaking and the American Left. New York: Arno P, 1980.

New Community no. 21 (1995).

*Nichols, B. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana UP, 1991. 165-98.

Nowell-Smith, G. "Humphrey Jennings, Surrealist Observer." All Our Yesterdays: 90 Years of British Cinema. Ed. Charles Barr. London: BFI, 1986.

*Ness, S.A. "Understanding Cultural Performance: Trobriand Cricket." The Drama Review 32, no. 4 (1988): 135-47.

Nichols, B. Blurred Boundaries: Questions of Meaning in Contemporary Culture. Bloomington: Indiana UP, 1994.

Nichols, B. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana UP, 1991. 95-98.

Nichols, B. Representing Reality: Issues and Concepts in Documentary. Bloomington: Indiana UP, 1991.

___. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana UP, 1981. 170-207.

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"Out of Sync: The Cinema of Tim Asch." Visual Anthropology Review 11, no. 1 (1995).

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Paget, D. True Stories? Documentary Drama on Radio, Screen and Stage. Manchester: Manchester UP, 1990. 1-58.

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Portugues, C. "Seeing Subjects: Women Directors and Cinematic Autobiography." Life/Lines: Theorizing Women's Autobiography. Ed. Bella Brodzki and Celeste Schenck. Ithaca: Cornell UP, 1988. 338-50.

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"Questions of Imagery: Ethnography and Still Photography." Journal of Museum Ethnography no. 1 (1989).

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Rabinowitz, P. "Wreckage Upon Wreckage: History, Documentary, and the Ruins of Memory." History and Theory 32, no. 2 (1993): 119-37.

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"Roots." Journal of Broadcasting 22, no. 3 (1978): 279-320.

"Relations of Consumption." Media Culture and Society 16, no. 3 (1994).

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___. "The Situation and Tendencies of the Cinema in Africa (Parts I and II)." Studies in the Anthropology of Visual Communication 2, no. 1 (1975): 51-58 and 2, no. 2 (1975): 112-21.

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Shilts, R. "The Life and Death of Harvey Milk." The Christopher Street Reader. Ed. Michael Denneny, Charles Ortleb and Thomas Steele. New York: Wideview/Perigree, 1983. 390-408.

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Taylor, R. Film Propaganda. New York: Barnes and Noble, 1979.

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Ukadike, N.F. "African Cinematic Reality: The Documentary Tradition as an Emerging Trend." Research in African Literatures 26, no. 3 (1995): 88-96.

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Valaskakis, G. "Communication and Control in the Canadian North: The Inuit Experience." Communications in Canadian Society. Ed. B. D. Singer. Don Mills: Addison-Wesley, 1983. 247-57.

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Vaughan, D. Television Documentary Usage. London: BFI, 1976. 1-7.

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Williams, L. "Truth, History, and the New Documentary." Film Quarterly 46, no. 3 (1993): 9-20.

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Waugh, T. ed. 'Show Us Life': Toward a History and Aesthetic of the Committed Documentary. Metuchen: Scarecrow P, 1984.

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Youdelman, J. "Narration, Invention, & History: A Documentary Dilemma." In the textbook. 454-64.

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Zheutlin, B. "The Art and Politics of the Documentary: A Symposium." Cineaste 6, no. 3 (1981): 12-21.

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