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Critics of Australian Film

An [incomplete] bibliography by Tom O'Regan and Rita Shanahan of writings organised by Critics' Last Name



A| B| C| D| E| F| G| H| I| J| K| L| M| N| O| P| Q| R| S| T| U| V| W| X| Y| Z| #

A

ADAMS, PHILLIP

Adams, Phillip. 1971. 'Adam's Rib'. The Australian. 4/12/71.

Adams, Phillip. 1982. 'The Importance of Remaining Australian'. The Bulletin. 12/1/82. 32-33.

Adams, Phillip. 1995. 'Introduction', James Sabine ed. A Century of Australian Cinema. Port Melbourne: Reed Books, 1995, vii-xi.

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B

BAXTER, JOHN

Baxter, John. 1970. Australian Cinema. Sydney: Pacific Books.

Baxter, John. 1986. Filmstruck: Australia at the Movies. Sydney: ABC.


BERRY, CHRIS

Berry, Chris. 1992. 'Heterogeneity as Identity'. Metro 91 (Spring): 48-51.

Berry, Chris. 1993. 'Australia in Asia/ Asia in Australia: An Interview with Teck Tan'. Metro. 94 (Winter). 42-4.

Berry, Chris. 1994. A Bit on the Side: East-West Topographies of Desire. Sydney: EMPress.

Berry, Chris. 1995. 'Pauline Chan: Interview' Cinemaya. 25-6. 1994-1995. 65-7.


BERRYMAN, KEN

Berryman, Ken. 1990. 'A Girl of the Bush'. Ed. K. Berryman. Focus on Reel Australia. Australian Council of Government Film Libraries in association with the National Film and Sound Archive. Hendon, SA.


BERTRAND, INA

Bertrand, Ina and Diane Collins. 1981. Government and Film in Australia. Sydney: Currency Press.

Ina Bertrand. "How the West was Lost." Filmviews 134 (1987-88): 33-36.

Bertrand, Ina. Film Censorship in Australia. St. Lucia: U of Queensland P, 1978.

Bertrand, Ina and William Routt. 1989. 'The Big Bad Combine: Some Aspects of National Aspirations and International Constraints in the Australian Cinema, 1896-1929'. In A. Moran and T. O'Regan eds. The Australian Screen. 23-27.

Bertrand, Ina ed. 1989. Cinema in Australia: A Documentary History. Kensington: UNSW P.


BLONSKI, ANNETTE

Blonski, Annette. 1987. 'At the Government's Pleasure: Independent Cinema'. In A. Blonski, B. Creed and F. Freiberg eds. Don't Shoot Darling. 40-60.

Blonski, Annette. 1994. 'Persistent Encounters: The Australia Council and Multiculturalism'. S. Gunew and F. Rizvi eds. Culture, Difference and the Arts. 192-206.

Blonski, Annette, Barbara Creed and Freda Freiberg eds. 1987. Don't Shoot Darling!: Women's Independent Filmmaking in Australia. Richmond, Melbourne: Greenhouse Publications.

Blonski, Annette and Freda Freiberg. 1989. 'Double Trouble: Women's Films'. In Moran and O'Regan eds. Australian Screen. 191-215.

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C

CAPUTO, RAFFAELE

Caputo, Raffaele. 1993. 'Mouth to Mouth'. In Scott Murray ed. Australian Film 1978-1992. 19.

Caputo, Raffaele. 1994. 'Bello Onesto Emigrato Australia Sposerebbe Compaesana Illibata'. Cinema Papers. 101 (October). 19, 79.


CHUA SIEW KENG

Chua, Siew Keng. 1992. 'A Half-Opened Door: Australian Perspectives on Asia'. Cinemaya. Autumn/Winter 17-18.

Chua, Siew Keng. 1993. 'Reel Neighbourly: the Construction of Southeast Asian Subjectivities'. Media Information Australia. 70 (November): 28-33.


COLLINS, DIANE

Collins, Diane. 1987. Hollywood Down Under - Australians at the Movies: 1886 to the Present Day. North Ryde, Sydney: Angus and Robertson.


CREED, BARBARA

Creed, Barbara. 1992. 'Mothers and Lovers: Oedipal Transgressions in Recent Australian Cinema'. Metro. 91: 14-22.

Creed, Barbara. 1993. 'Lesbian Independent Cinema and Queer Theory'. Artlink. 12:3. 11-2.


CROFTS, STEPHEN

Crofts, Stephen. 1980. 'Breaker Morant: Rethought'. Cinema Papers. v.7 Issue 30. 420.

Crofts, Stephen. 1992. 'Cross-Cultural Reception: Variant Readings of Crocodile Dundee'. Continuum. 5:2. 213-27.

Crofts, Stephen. 1993. Identification, Gender and Genre in Film: The Case of Shame with Shame: The Screenplay by Beverly Blankenship and Michael Brindley. Melbourne: Australian Film Institute, The Moving Image, n. 2.


CUNNINGHAM, STUART

Cunningham, Stuart. 1978. 'Australian Film'. Australian Journal of Screen Theory. 5&6. 36-47.

Cunningham, Stuart. 1985. 'Hollywood Genres, Australian Movies'. An Australian Film Reader. Moran and O'Regan. 235-41.

Cunningham, Stuart. 1987a. 'The Chauvel School of Scenario Writing'. In T. O'Regan and B. Shoesmith eds. History on/and/in Film. Perth: History and Film Association of Australia (WA). 81-9.

Cunningham, Stuart. 1987b. 'Nascent Innovation: Notes on Some Features from the 1950s'. Continuum. 1:1. 93-9.

Cunningham, Stuart. 1988. 'Kennedy-Miller: "House Style" in Australian Television'. In Dermody and Jacka eds. The Imaginary Industry. 178-99.

Cunningham, Stuart. 1988/89. 'To Go Back of Beyond'. Continuum. 2:1. 159-64.

Cunningham, Stuart. 1989a. 'The Decades of Survival: Australian Film 1930-1970'. In Moran and O'Regan. Australian Screen. 53-74.

Cunningham, Stuart. 1989b. 'Textual innovation in the Australian historical mini-series'. In J. Tulluch and G. Turner eds. Australian Television: Programs, Pleasures and Politics. Sydney: Allen & Unwin. 39-51.

Cunningham, Stuart. 1991. Featuring Australian: The Cinema of Charles Chauvel. Sydney: Allen & Unwin.

Cunningham, Stuart. 1992. Framing Culture: Criticism and Policy in Australia. Sydney: Allen & Unwin.

Cunningham, Stuart and Graeme Turner, eds. 1993. The Media in Australia: Industries, Texts, Audiences. Sydney: Allen & Unwin, 1993.

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D

DERMODY, SUSAN

Dermody, Susan. 1981. 'Rugged Individualists or Neocolonial Boys? The Early Sound Period in Australian Film, 1931/2'. Media Papers. n. 12. Sydney: NSW Institute of Technology.

Dermody, Susan. 1988. 'The Company of Eccentrics'. Dermody and Jacka. The Imaginary Industry. 132-54.

Dermody, Susan and Elizabeth Jacka. 1987a. 'An Australian Film Reader in Question'. Continuum. 1:1. 140-55.

Dermody, Susan and Elizabeth Jacka. 1987b. The Screening of Australia, vol 1: Anatomy of a Film Industry. Sydney: Currency Press.

Dermody, Susan and Elizabeth Jacka. 1988a. 'Introduction'. The Screening of Australia, vol 2: Anatomy of a National Cinema. Sydney: Currency Press. 3-4.

Dermody, Susan and Elizabeth Jacka Eds. 1988b. The Imaginary Industry: Australian Film in the late '80s. Sydney: AFTRS.


IAN DUNLOP

I. Dunlop. "Ethnographic Film Making in Australia: The First 70 Years (1898-1968)." Studies in Visual Communication 9, no. 1 (1983): 11-18.


DUTCHAK, PHILIP

Philip Dutchak. "Black Screens." Cinema Papers 87 (1992): 48-52.

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E

ENKER, DEBI

Enker, Debi. 1994. 'Australia and Australians'. Scott Murray ed. Australian Cinema. 211-225.


EPSTEIN, JAN

Epstein, Jan. 1992. 'Australian Films at Cannes'. Cinema Papers. n. 89 (August). 22-25.

Epstein, Jan. 1993. 'As Time Goes By'. In Scott Murray ed. Australian Film 1978-1992. 241.

Epstein, Jan. 1994. 'Stephan Elliott: The Adventures of Priscilla, Queen of the Desert, Interview'. Cinema Papers. 101. 4-10, 86.

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F

FALCONER, DELIA

Delia Falconer. "'We Don't Need to Know the Way Home': Selling Australian Space in the Mad Max Trilogy." Southern Review 27, no. 1 (1994): 28-44.


FREIBERG, FREDA

Freiberg, Freda. 1994. 'Lost in Oz?: Jews in the Australian Cinema'. Continuum. 8:2. 196-205.

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G

GARDNER, GEOFF

Gardner, Geoff. 1993a. 'Palm Beach'. Ed. Scott Murray. Australian Film 1978-1992. 65.

Gardner, Geoff. 1993b. 'Moving Out'. Ed. Scott Murray. Australian Film 1978-1992. 134.


GIBSON, ROSS

Gibson, Ross. 1988. 'Formative Landscapes'. Scott Murray ed. Back of Beyond. 20-32.

Gibson, Ross. 1992. South of the West. Bloomington and Indianapolis: Indiana U P.


GINSBURG, FAYE

Faye Ginsburg. "Aboriginal Media and the Australian Imaginary." Public Culture 5, no. 3 (1993): 557-78.

Faye Ginsburg. "The Aboriginal Programs Unit of the Australian Broadcasting Corporation." Visual Anthropology Review 9, no. 2 (1993): 92-97.

Faye Ginsburg. "Indigenous Media: Faustian Contract or Global Village?" Cultural Anthropology 6, no. 1 (1991): 92-112.

Faye Ginsburg. "Embedded Aesthetics: Creating a Discursive Space for Indigenous Media." Cultural Anthropology 9, no. 3 (1994): 365-83.

Faye Ginsburg. "In Whose Image? Indigenous Media from Aboriginal Central Australia." Commission on Visual Anthropology Review (1989): 16-20.

Faye Ginsburg. "The Parallax Effect: The Impact of Aboriginal Media on Ethnographic Film." Visual Anthropology Review 11, no. 2 (1995): 64-76.


GRACE, HELEN

Grace, Helen and Jeni Thornley. 1981. '28th Sydney Film Festival Program'. Filmnews. 11:7. 4.

Helen Grace. 1995. "'Everywhere Toilet': Defilement: the View in Wide Shot". Communal Plural 4. (University of Western Sydney, Nepean, Research Centre in Intercommunal Studies). 131-43.


GRIEVE, ANNA

Anna Grieve. "Gillian Armstrong Returns to Eden." Cinema Papers no. 63 (1987): 30-33.

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H

HARRIS, MAX

Harris, Max 1964. 'Document of Our Time'. Overland. 29: 25-26.

Harris, Max. 1979. 'Sense and Sensibility in the Film World'. Weekend Australian. 21-22 April.

Harris, Max. 1980. 'What's Yank for Stupid?' Weekend Australian. 3-4/5/1980.


HICKLING-HUDSON, ANNE

Anne Hickling-Hudson. "White Construction of Black Identity in Australian Films about Aborigines." Literature/Film Quarterly 18, no. 4 (1990): 263-74.


HINDE, JOHN

Hinde, John. 1981. Other People's Pictures. Sydney: ABC.

HUGHES, PETER

Hughes, Peter. 1993. 'A way of Being Engaged with the World: The Films of John Hughes'. Metro. 93. 46-55.

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J

JACKA, ELIZABETH

Jacka, Elizabeth. 1988a. 'Australian Cinema: an Anachronism in the '80s?'. S. Dermody and E. Jacka eds. The Imaginary Industry. 117-130.

Jacka, Elizabeth. 1988b. 'Films' in Dermody and Jacka. The Imaginary Industry. 65-130.

Jacka, Elizabeth. 1991. The ABC of Drama: 1975-1990. Sydney: AFTRS.

Jacka, Elizabeth. 1992. 'Globalization and Australian Film and Television'. Stay Tuned: an Australian Broadcast Reader. A. Moran ed. Sydney: Allen & Unwin. 185-91.

Jacka, Elizabeth. 1993. 'Film'. Stuart Cunningham and Graeme Turner eds. The Media in Australia: Industries, Texts, Audiences. Sydney: Allen & Unwin. 72-85.

Jacka, Elizabeth and Stuart Cunningham. 1993. 'Australian Television: An International Player'. Media Information Australia. 70 (November). 17-27.


JAKUBOWICZ, ANDREW

Jakubowicz, Andrew. 1994. 'Australian (Dis)Contents: Film, Mass Media and Multiculturalism'. In S. Gunew and F. Rizvi. Culture, Difference and the Arts. 86-107.


JAYAMENNE, LALEEN

Jayamenne, Laleen. 1992. 'Love Me Tender, Love Me True, Never Let Me Go . . . A Sri Lankan Reading of Tracey Moffat's Night Cries'. Framework. 38/39. 87-94.


JENNINGS, KAREN

Jennings, Karen. 1993. Sites of Difference: Cinematic Representations of Aboriginality and Gender. Melbourne: AFI.

Jennings, Karen. "Ways of Seeing and Speaking about Aboriginal Women. i. Black Women and Documentary Film." Hecate 13, no. 2 (1987-88): 113-28.

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K

KAPLAN, E.ANN

E.Ann Kaplan. "Aborigines, Film and Moffatt's Night Cries-A Rural Tragedy: An Outsider's Perspective." Bulletin of the Olive Pink Society 1, no. 2 (1989): 13-17.


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L

LANGTON, MARCIA

Langton, Marcia. 1993. 'Well, I heard it on the radio and I saw it on the television...' An Essay for the Australian Film Commission on the politics and aesthetics of filmmaking by and about Aboriginal people and things. Sydney: AFC.


LASEUR, CAROL

Laseur, Carol. 1992. 'Australian Exploitation: The Politics of Bad Taste'. Continuum. 5:2. 366-77.

Laseur, Carol. 1993. 'beDevil: Colonial Images, Aboriginal Memories'. Span. 37 (December). 76-88.


LAWSON, SYLVIA

Lawson, Sylvia. 1965, 1985a. 'Not for the Likes of Us'. 27-31. Reprinted in Moran and O'Regan eds. An Australian Film Reader. 150-7.

Lawson, Sylvia 1969, 1985b. 'Australian Film, 1969'. Reprinted in Moran and O'Regan eds. An Australian Film Reader. 175-183.

Lawson, Sylvia. 1982. 'Towards Decolonization: Film History in Australia'. In S. Dermody, J. Docker, D. Modjeska eds. Nellie Melba, Ginger Meggs and Friends: Essays in Australian Cultural History. Malmsbury: Kibble, 1982. 19-32.

Lawson, Sylvia. 1985c. 'Serious Undertakings'. Moran and O'Regan eds. An Australian Film Reader. 327-32.


LEIGH, MICHAEL

Michael Leigh. "Curiouser and Curiouser." Back of Beyond: Discovering Australian Film and Television. Ed. Scott Murray. Sydney: AFC, 1988. 78-88.


LOHREY, AMANDA

Lohrey, Amanda. 1981. 'Gallipoli: male innocence as a marketable commodity'. Island Magazine. 9/10 (March). 29-34.


LONG, CHRIS

Long, Chris. 1994. 'Australia's First Films: Federation Film'. Cinema Papers. 101 (October). 56-61, 82-3.

(THE outstanding ones need to be entered here)


LONG, JOAN

Long, Joan and Martin Long. The Pictures that Moved: A Picture History of the Australian Cinema 1896-1929. Richmond: Hutchinson Australia, 1982.

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M

MACBEAN, JAMES ROY

MacBean, James Roy. "Degrees of Otherness: A Close Reading of First Contact, Joe Leahy's Neighbors and Black Harvest." Visual Anthropology Review 10, no. 2 (1994): 55-70.

MacBean, James Roy. "Ongoing Contact: A Reply to Jay Ruby by James Roy MacBean." Visual Anthropology Review 11, no. 2 (1995): 114-16.


MACDONALD, AMANDA

MacDonald, Amanda. 1995. 'French Film-Crit Takes a Holiday'. Metro. 103. 57-65.


MACDOUGALL, DAVID

Macdougall, David. "Beyond Observational Cinema." Principles of Visual Anthropology. Ed. P. Hockings. The Hague: Mouton, 1975. 109-23.

Macdougall, David. "Ethnographic Film: Failure and Promise." Annual Review of Anthropology 7 (1978): 405-23.


MCFARLANE, BRIAN

McFarlane, Brian. 1980. 'Horror and Suspense'. In Scott Murray ed. The New Australian Cinema. 61-77.

McFarlane, Brian. Words and Pictures: Australian Novels into Films. Melbourne: Heinemann, 1983.

McFarlane, Brian and Geoff Mayer. 1992. New Australian Cinema: Sources and Parallels in American and British Films. Cambridge and Oakleigh, Vic: Cambridge U P.

McFarlane, Brian. 1987. Australian Cinema 1970-1985. Richmond, Melbourne: William Heinemann Australia.


MALONE, PETER

Malone, Peter. 1987. In Black and White and Colour. Jabiru, NT and Leura, NSW: Nelen Yubu Missiological Unit Series no. 4.

Malone, Peter. 1994. 'The Roly Poly Man'. Cinema Papers. 101. 69.


MARSHALL, P. DAVID

Marshall, P. David and Rea Turner. 1992. 'At Last a Co-Production that We can all Enjoy: the Australian Canadian Co-Productions of Black Robe and Golden Fiddles'. Media Information Australia. 66 (November). 93-8.


MARTIN, ADRIAN

Martin, Adrian. 1980. 'Fantasy'. New Australian Cinema. Scott Murray Ed. 97-111.

Martin, Adrian. 1988a. 'Nurturing the Next Wave: What is Cinema?'. In P. Broderick ed. Back of Beyond. 90-101.

Martin, Adrian. 1988b. 'No Flowers for the Cinephile: The Fates of Cultural Populism 1960-1988'. In Paul Foss ed. Island in the Stream. Leichardt, Sydney: Pluto P. 117-38.

Crawford, Marie and Adrian Martin. 1989. 'Review of Sweetie'. Cinema Papers. 73 (May): 56-7.

Martin, Adrian. 1992. 'Mise en Scene is Dead: the Expressive, the Technical and the Stylish'. Continuum. 5:2. 89-140.

Martin, Adrian. 1993. 'Peter Kenna's The Umbrella Woman. In Scott Murray ed. Australian Film, 1978-1992. 225.

Martin, Adrian 1994a. 'Ghosts...of a national cinema'. Cinema Papers. April. 97-8: 14-15.

Martin, Adrian 1994b. Phantasms. Ringwood: Penguin.

Martin, Adrian. 1994c. 'The Short Film'. In Scott Murray ed. Australian Cinema. 201-210.

Martin, Adrian. 1994d. 'Hold Back the Dawn: Notes on the Position of Experimental Film in Australia 1993'. Continuum. 8:1. 292-301.

Martin, Adrian. 1994e. 'Going Down'. Cinema Papers. 100 (August). 16-7.


MELLENCAMP, PATRICIA

Patricia Mellencamp. "An Empirical Avant-Garde: Laleen Jayamanne and Tracey Moffatt." Fugitive Images: From Photography to Video. Ed. Patrice Petro. Bloomington: Indiana UP, 1995. 173-95.


MILLER, TOBY

Miller, Toby. 1993. The Well-Tempered Self: Citizenship, Culture and the Postmodern Subject. Baltimore and London: The Johns Hopkins U P.

Miller, Toby. 1994a. 'Introducing Screening Cultural Studies'. Continuum 7:2. 11-44.

Miller, Toby. 1994b. 'How do you Turn Indooroopilly into Africa? Mission: Impossible, Second World Television, and The New International Division of Cultural Labour'. Technologies of Truth. Forthcoming.

Miller, Toby. 1995. 'Exporting Truth about Aboriginal Australia: "Portions of Our Past Become Present Again, Where Only the Melancholy Light of Origin Shines"'. Media Information Australia. 76. May. 7-17.


MISHRA, VIJAY

Mishra, Vijay. 1995. 'New Lamps for Old: Diasporas Migrancy Borders'. Studies in Humanities and Social Sciences. II: 1. 147-64.


MOFFATT, TRACEY

Tracey Moffatt. "Something More." New Formations 10 (1990): 66-74.


MOORE, CATRIONA

Catriona Moore. "'The Guiding Hand': The Case of Aboriginal Welfare Films." Sex, Politics, Representation. Ed. Peter Botsman and Ross Harley. Sydney: Local Consumption, 1984. 26-54.

Catriona Moore and Stephen Muecke. "Racism and the Representation of Aborigines in Film." Australian Journal of Cultural Studies 2, no. 1 (1984): 36-53.


MORAN, ALBERT

Albert Moran. "Australian Documentary Cinema." Arena no. 64 (1983): 83-99.

Moran, Albert. 1991. Projecting Australia: Government Film Since 1945. Sydney: Currency P.

Moran, Albert. 1993. Moran's Guide to Australian TV Series. Sydney: AFTRS.

Moran, Albert ed. 1994. Film Policy: An Australian Reader. Institute for Cultural Policy Studies (Griffith University): Brisbane.

Moran, Albert and Tom O'Regan eds. 1985. An Australian Film Reader. Sydney: Currency P.

Moran, Albert and Tom O'Regan eds. 1989. The Australian Screen. Ringwood, Vic: Penguin.


MORRIS, MEAGHAN

Morris, Meaghan. 1980. 'Personal Relationships and Sexuality'. Scott Murray ed. The New Australian Cinema. 133-51.

Morris, Meaghan, 1988. 'Tooth and Claw: tales of Survival and Crocodile Dundee'. In Pirate's Fiancee: Feminism, Reading and Postmodernism. London: Verso. 241-269.

Morris, Meaghan, 1989. 'Fate and the Family Sedan'. East-West Film Journal. 4:1. 113-134.

Morris, Meaghan. 1993. 'The Very Idea of a Popular Debate (Or, Not Lunching with Thomas Kenneally'). Communal/Plural. 2. 153-67.


MORTIMER, LORRAINE

Mortimer, Lorraine. 1994. 'The Clinic'. Cinema Papers. 101 (October). 16, 18.


MUDROOROO

Mudrooroo (Colin Johnson). 1987. 'Chauvel and the Centering of the Aboriginal Male in Australian Film'. Continuum. 1:1. 47-56.

Mudrooroo Nyoongah. "Passing for White Passing for Black: An Ideological Con-pro-testation." Continuum 8, no. 2 (1994): 258-69.


MUECKE, STEPHEN

Muecke, Stephen. 1992. Textual Spaces: Aboriginality and Cultural Studies. Sydney: U of New South Wales P, 1992.

Muecke, Stephen. 1994. 'Narrative and Intervention in Aboriginal Filmmaking Policy'. Continuum. 8:2. 248-57.


MURRAY, SCOTT

Murray, Scott Ed. 1980. The New Australian Cinema. Melbourne: Nelson/Cinema Papers.

Murray, Scott Ed. 1988a. Back of Beyond: Discovering Australian Film and Television. Sydney: Australian Film Commission.

Murray, Scott. 1988b. 'George Miller: Interview'. Back of Beyond. Scott Murray ed. 34-43.

Murray, Scott. 1990. 'Tracey Moffatt, Night Cries--A Rural Tragedy Report by Scott Murray'. Cinema Papers. 79 (May). 18-22.

Murray, Scott ed. 1993a. Australian Film 1978-1992: A Survey of Theatrical Features. Melbourne: Oxford U P in association with the Australian Film Commission and Cinema Papers.

Murray, Scott. 1993b. 'The Navigator: A Medieval Odyssey'. Scott Murray ed. Australian Film 1978-1992. 254.

Murray, Scott. 1993c. 'The ABC of Love and Sex Australian Style'. In Scott Murray. Australian Film 1978-1992. 14.

Murray, Scott ed. 1994a. Australian Cinema. St Leonards, Sydney: Allen & Unwin in association with the Australian Film Commission.

Murray, Scott. 1994b. 'Australian Cinema in the 1970s and 1980s'. In Scott Murray ed. Australian Cinema. 71-146.

Murray, Scott. 1995. 'Returning Home: Richard Franklin Interviewed by Scott Murray'. Cinema Papers. 104. 24-7, 57.


MYERS, FRED R.

Fred R. Myers. "From Ethnography to Metaphor: Recent Films from David and Judith MacDougall." Cultural Anthropology 3, no. 2 (1988): 205-20.

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O

O’REGAN, TOM

O'Regan, Tom. 1984a. 'Australian Film Making: Its Public Circulation'. Framework. 22/23. 31-6.

O'Regan, Tom. 1984b. 'Writing an Australian Film History - Some Methodological Notes'. Sydney: Local Consumption Publications, Occasional Paper. 5.

O'Regan, Tom. 1985a. 'The Man From Snowy River and Australian Popular Culture'. In A. Moran and T. O'Regan eds. An Australian Film Reader. 242-51.

O'Regan, Tom. 1985b. 'Documentary in Controversy: The Last Tasmanian'. In A. Moran and T. O'Regan eds. An Australian Film Reader. 127-36.

O'Regan, Tom. 1986. 'Aspects of the Australian Film and Television Interface'. Australian Journal of Screen Theory. 17/18. 5-33.

O'Regan, Tom. 1987. 'The Historical Relations between Theatre and Film: The Summer of the Seventeenth Doll'. Continuum. 1:1. 116-20.

O'Regan, Tom. 1988. '"Fair Dinkum Fillums": the Crocodile Dundee Phenomenon'. In S. Dermody and E. Jacka eds. The Imaginary Industry. Sydney: AFTRS. 155-175.

O'Regan, Tom. 1989a. 'Cinema Oz: the Ocker Films'. In A. Moran and T. O'Regan eds. Australian Screen. 75-98.

O'Regan, Tom. 1989b. 'The Enchantment with the Cinema: Film in the 1980s'. In A. Moran and T. O'Regan eds. Australian Screen. 118-145.

O'Regan, Tom. 1993. Australian Television Culture. Sydney: Allen & Unwin.

O'Regan, Tom. 1994a. 'Two or Three Things I Know about Meaning'. Continuum. 7:2. 327-74.

O'Regan, Tom. 1994b. 'King of the Coral Sea'. Cinema Papers. 101 (October). 14-6.

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P

PAYNE, CATHY

Cathy Payne. "Visible Spaces, Electronic Records: John Conomos and Tracey Moffatt." Continuum 8, no. 1 (1994): 318-27.


PELLIZARI, MONICA

Pellizari, Monica. 1991. 'A Matter of Representation'. Artlink. 11: 1&2. 80-1.


PERERA, SUVENDRINI

Perera, Suvendrini. 1993. 'Representation wars: Malaysia, Embassy, and Australia's Corps Diplomatique'. Australian Cultural Studies: A Reader. In M. Morris and J. Frow eds. Sydney: Allen & Unwin. 15-29.


PERIZ, INGRID

Ingrid Periz. "Night Cries: Cries from the Heart." Filmnews 20, no. 7 (1990): 16.


PIKE, ANDREW

Pike, Andrew and Ross Cooper. 1980. Australian Film 1900-1977: A Guide to Feature Film Production. Melbourne: Oxford U P.

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Q

QUINN, KARL

Quinn, Karl. 1993a. 'Romper Stomper'. Metro. 92 (Summer). 4-7.

Quinn, Karl. 1993b. 'Proof'. Scott Murray ed. Australian Film 1978-1992. 322.

Quinn, Karl. 1994/5. 'Drags, Dags and the Suburban Surreal'. Metro. 100 (Summer). 23-6.

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R

READE, ERIC

Reade, Eric. The Australian Screen: A Pictorial History of Australian Film-making. Melbourne: Lansdowne P, 1975.

Reade, Eric. Australian Silent Films: A Pictorial History 1896-1929. Melbourne: Lansdowne P, 1970.

Reade, Eric. History and Heartburn: The Saga of Australian Film 1896-1978. Rutherford: Fairleigh Dickinson UP, 1979.

Reade, Eric. The Talkies Era: A Pictorial History of Australian Sound Film-Making, 1930-1960. Melbourne: Lansdowne P, 1972.

Reade, Eric. 1979. History and Heartburn: the Saga of Australian Film, 1896-1978. Sydney: Harper & Row.


REID, MARY ANNE

Reid, Mary Anne. Long Shots to Favourites: Australian Cinema Successes in the 90s. Sydney: AFC, 1993.

Reid, Mary Anne. 1994. 'Distribution'. In R. Curtis and S. Spriggs eds. Get the Picture. 3rd Edition. 67-129.


RICKETSON, JAMES

Ricketson, James. 1979, 'Poor Movies, Rich Movies'. Filmnews. 9:1. 5. 1985. Moran and O'Regan eds. Australian Film Reader. 223-7.


ROHDIE, SAM

Rohdie, Sam. 1982a. 'Review'. Cinema Papers 39 (August): 375-77.

Rohdie, Sam. 1982b. 'Gallipoli as World Cinema Fodder'. Arena. 60. 36-55.

Rohdie, Sam. 19833, 1985. 'The Australian State, A National Cinema', Moran and O'Regan eds. An Australian Film Reader. 264-273.


ROUTT, WILLIAM D.

Routt, William. 1985. 'On the Expression of Colonialism in Early Australian Films--Charles Chauvel and Naive Cinema'. In A. Moran and T. O'Regan eds. An Australian Film Reader. 55-71.

Routt, William and Richard Thompson. 1987. '"Keep Young and Beautiful" - Surplus and Subversion in Roman Scandals'. In T. O'Regan & B. Shoesmith eds. History on/and/in Film. Perth: History and Film Association, 1987. 31-44.

Routt, William. 1989a. 'The Fairest Child of the Motherland: Colonialism and Family in Films of the 1920s and 1930s'. In A. Moran & T. O'Regan eds. Australian Screen. 28-52.

Routt, William. 1989b. 'Todorov amongst the Gangsters'. Art & Text. 34 (Spring). 109-26.

Routt, William D. 1994a. 'Are You a Fish? Are You a Snake?: An Obvious Lecture and Some Notes on The Last Wave' Continuum 8:2. 215-231.

Routt, William D. 1994b. 'Some Early British Films Considered in the Light of Early Australian Production'. Metro. 99 (Summer). 65-69.


RUTHERFORD, ANNE

Anne Rutherford. ""Changing Images": An Interview with Tracey Moffatt." Aboriginal Culture Today. Ed. Anne Rutherford. Copenhagen: Dangaroo P, 1988. 146-57.

Anne Rutherford. "Night Cries - A Rural Tragedy: A Film by Tracey Moffatt." Artlink 10, nos. 1-2 (1990): 65.


RYAN, TOM

Ryan, Tom. 1980. 'Historical Films'. In Scott Murray ed. The New Australian Cinema. 113-31.

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S

SAFFORD, TONY

Safford, Tony. 1995. 'Two or Three Things I Know about Australian Cinema'. Media International Australia. 76 (May). 27-9.


SAUNDERS, WAL

Saunders, Wal. 1994. 'The Owning of Images and the Right to Represent'. Filmnews May. 6-7.


SHAND, JOHN

Shand, John and Tony Wellington. Don't Shoot the Best Boy! Sydney: Currency P, 1988.


SHAW, SYLVIE

Shaw, Sylvie. 1992. 'The Asian screen test'. Cinema Papers. 87. 34-40.


SHIRLEY, GRAHAM

Shirley, Graham and Brian Adams. 1983. Australian Cinema: The First Eighty Years. Sydney: Angus & Robertson and Currency P.

Shirley, Graham. 1994. 'Le Gionate del Cinema Muto: 12th Pordenone Silent Film Festval 9-16 October 1993'. Cinema Papers. 97/98 (April). 42-6.


SMYTH, ROSALEEN

Rosaleen Smyth. "'White Australia Has a Black Past': Promoting Aboriginal and Torres Strait Islander Land Rights on Television and Video." Historical Journal of Film, Television and Radio 15, no. 1 (1995): 105-23.


STERN, LESLEY

Stern, Lesley. 1985. 'Independent Feminist Filmmaking in Australia'. In A. Moran and T. O'Regan eds. An Australian Film Reader. 314-26.


STRATTON, DAVID

Stratton, David. 1980. The Last New Wave: The Australian Film Revival. Sydney: Angus and Robertson.

Stratton, David. 1990. The Avacado Plantation: Boom and Bust in the Australian Film Industry. Sydney: Pan Macmillan.

Stratton, David. 1995. 'Australia'. Cowie ed. Variety International Film Guide 1995. 94-102.


STRATTON, JON

Stratton, Jon and Ien Ang. 1994a. 'Sylvania Waters and the Spectacular Exploding Family'. Screen. 34:1 (Spring). 1-21.

Stratton, Jon and Ien Ang 1994b. 'Multicultural Imagined Communities: Cultural Difference and National Identity in Australia and the USA'. Continuum. 8:2. 124-58.

jon’s mad max piece from art and text is missing

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THOMS, ALBIE

Thoms, Albie. 1978. Polemics for a New Cinema: Writings to Stimulate New Approaches to Film. Sydney: Wild and Woolley.


THORNHILL, MICHAEL

Thornhill, Michael. 1967. 'The Australian Film', Current Affairs Bulletin. 41: 2.


TULLOCH, JOHN

Tulloch, John. 1981. Legends on the Screen. Sydney: Currency P.

Tulloch, John. 1982. Australian Cinema. Sydney: Allen & Unwin.


TURNER, GRAEME

Turner, Graeme. 1986, 1993c. National Fictions: Literature, film and the construction of Australian narrative, Sydney: Allen & Unwin.

Turner, Graeme. 1988. 'Mixing Fact and Fiction'. In Scott Murray ed. Back of Beyond. 68-75.

Graeme Turner. "Breaking the Frame: The Representation of Aborigines in Australian Film." Aboriginal Culture Today. Ed. Anne Rutherford. Copenhagen: Dangaroo P, 1988. 135-45.

Turner, Graeme. 1989. 'Art Directing History: the Period Film'. In T. O'Regan and A. Moran eds. Australian Screen. 99-117.

Turner, Graeme. ed. 1993a. Nation, Culture, Text: Australian Cultural and Media Studies. London: Routledge.

Turner, Graeme. 1993b. 'Cultural Policy and National Culture'. Turner. Nation, Culture, Text. 67-71.

Graeme Turner. "The End of the National Project? Australian Cinema in the 1990s." Colonialism and Nationalism in Asian Cinema. Ed. Wimal Dissanayake. Bloomington: Indiana UP, 1994. 202-16.

Turner, Graeme. 1994. Making it National: Nationalism and Australian Popular Culture. Sydney: Allen & Unwin.

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VERHOEVEN, DEB

Verhoeven, Deb. 1993. 'Aleksi Vellis'. Artlink. 13:1 (March-May). 16.

Deb Verhoeven. ""Just Trust the Text, Don't Colour It"." Artlink 13, no. 1 (1993): 30-31.

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W

WEIR, TOM.

Weir, Tom.(Tom Fitzgerald). 1958, 1985. 'No Daydreams of Our Own'. In Moran and O'Regan eds. An Australian Film Reader. 144-49.


WHITE, DAVID

White, David. 1984. Australian Movies to the World. Sydney: Fontana and Cinema Papers.


WILLIAMS, DEAN

Williams, Dean. 1994/1995. 'All that is Left: The Early Life and Work of Cecil Holmes'. Metro. 100.

Williams, Dean. 1995. 'The Commonwealth Film Unit: Predecessors and Precursors'. Metro. 104. 52-7.

Williams, Dean. 1996. Camera Natura book


WRIGHT, ANDREE

Wright, Andrée. 1986. Brilliant Careers: Women in Australian Cinema. Sydney: Pan Books.

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X

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Y

YUE, AUDREY

Yue, Audrey. 1993. '"I am Like You, I am Different": Beyond Ethnicity, Becoming Asian-Australian'. Artlink. 13: 1 (March-May). 19-21.

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Revised: February 18, 1997.
Copyright (c) 1997 by Tom O'Regan & Rita Shanahan [Murdoch University].
Designed by:
Jeremy Barth