
(2002)
A film based on
the book by Mollyâs daughter
DORIS
PILKINGTON GARIMARA
Directed by· PHILLIP
NOYCE
Screenplay by· CHRISTINE
OLSEN
Produced by· PHILLIP
NOYCE, CHRISTINE OLSEN
Producer· JOHN
WINTER
Executive Producers· DAVID
ELFICK, JEREMY THOMAS, KATHLEEN McLAUGHLIN
Cinematographer· CHRISTOPHER
DOYLE
Edited by· JOHN
SCOTT, VERONIKA JENET
Production Designer &
Costume Designer· ROGER
FORD
Childrenâs Drama Coach· RACHAEL
MAZA
Music by· PETER
GABRIEL
Music Arranged & Mixed by· RICHARD
EVANS,
DAVID RHODES
Sound Designer· CRAIG
CARTER
Supervising Sound Editor· JOHN
PENDERS
Molly Craig· EVERLYN
SAMPI
Daisy Craig· TIANNA
SANSBURY
Gracie Fields· LAURA
MONAGHAN
Mr A.O. Neville· KENNETH
BRANAGH
Moodoo· DAVID
GULPILIL
Mollyâs Mother· NINGALI
LAWFORD
Mollyâs
Grandmother· MYARN
LAWFORD
Constable
Riggs· JASON
CLARKE
Mavis· DEBORAH
MAILMAN
Dormitory Boss
(Nina)· NATASHA
WANGANEEN
Mr. Neal· GARRY
McDONALD
Police
Inspector· ROY
BILLING
Miss Thomas· LORNA
LESLIE
Miss Jessop· CELINE
O'LEARY
Matron· KATE
ROBERTS
Moodooâs
Daughter· TRACY
MONAGHAN
Escaped Girl
(Olive)· TAMARA
FLANAGAN
Kangaroo
Hunter· DAVID
NGOOMBUJARRA
The Fence
Builder· ANTHONY
HAYES
Depot Manager· ANDREW S.
GILBERT
Gracieâs
Mother· SHERYL
CARTER
Wiluna Liar· HEATH
BERGERSEN
Moore River
Policeman· TREVER
JAMIESON
First Farm Mother·
EDWINA
BISHOP
Farm Daughter· KERILEE
MEURIES
Car Driving
Policeman· ANDREW
MARTIN
Fence Worker· KEN
RADLEY
Mr Evans· DON
BARKER
Mrs Evans· CARMEL
JOHNSON
Policeman at
Railway·
DAVID
BUCHANAN
Policeman at
Evansâ Farmhouse· RICHARD
CARTER
Jigalong
Mother· FIONA
GREGORY
Tommy Grant· REGGIE
WANGANEEN
Woman In Queue· GLENYS
SAMPI
First Dormitory
Girl· KIZZY
FLANAGAN
Second
Dormitory Girl· ANTONIA
SAMPI
Aboriginal
Hunter· MAURICE
KELLY
Jigalong
Extras· JANGANPA
GROUP
Singing Women
at Jigalong· ELSIE
THOMAS
ROSIE
GOODJI
JEWESS
JAMES
JANGANPA
GROUP
Ocean Pictures/REP
(Australia)
Becker Entertainment
(Australia)
HanWay Films (international sales)
Miramax Films (USA)
Miramax Films (Canada/ South
America/ United Kingdom/ Italy)
Runtime: 97 min
Rated: PG
(Australia)
Release Dates and Box Office Information
á Rabbit-Proof
Fence opened nation-wide on February 21st 2002, on 100 screens.
á
It
grossed $1,245,454 (AUD) in its first week
á After
10 weeks it had grossed $6,091,234 (AUD)
á U.S.
release 21st June 2002 (LA/NY)
á U.K.
release 30th August 2002
á Argentina
release 19th September 2002
Awards and nominations:
N/A
Interviews with the filmmakers
There
are a large number of interviews with Phillip Noyce, and some of them can be
found at:
http://www.abc.net.au/arts/film/stories/s488231.htm
http://www.urbancinefile.com.au/home/view.asp?a=5770&s=Interviews
http://www.abc.net.au/arts/film/stories/s488231.htm
http://www.ayn.ca/news/0203/rabbit_proof.htm
Interviews
with the crew can be found at:
http://www.theage.com.au/entertainment/2002/02/01/FFX9NKXU4XC.html
Reviews
Not
surprisingly, many critics have had their say about the film. Some of the
reviews can be found at:
http://www.branaghcompendium.com/rpf.html
http://observer.co.uk/international/story/0,6903,647930,00.html
http://news.ninemsn.com.au/sunday/film_reviews/article_985.asp?s=1
http://www.anglicanmediasydney.asn.au/cul/rabbitproof.htm
http://www.rottentomatoes.com/m/RabbitProofFence-10000853/reviews.php
http://www.abc.net.au/triplej/review/film/s485339.htm
http://entertainment.news.com.au/common/story_page/0,4459,3823911%255E7622%255E%255Enbv,00.html
http://www.darkhorizons.com/reviews/rabbit-n.htm
Collecting the information
Since
the film is so freshly made, I found it really difficult finding hard copy
material, such as books and journals. The book on which the film was based, as
well as Pat Jacobsâs ãMister Neville, a biographyä (1990) was unfortunately not
available, so I had to relay on the internet for my research. While searching
the World Wide Web, I found more material than I could work with. Most of the
information was reviews, which I was mentioning earlier. The official website http://www.rabbitprooffence.com.au/
provided lots of useful
information and interesting stories around the making of the film. The whole
story about how the scrip was written and developed, which took about five
years, and how Phillip Noyce thought Olsen was a lunatic calling him at home in
the middle of the night, can be read at http://www.rabbitprooffence.com.au/news/MollyStory.html
This story like other
stories about the film and the making of the film are linked from the official
website which also lists a number of reviews from sources as:
á The
Age
á Herald
Sun
á Courier
Mail
á Ainât
It Cool
á Urban
Cinefile
á Sunday
Program
á Cumberland
Press
á Adelaide
Advertiser
á The
West Australian
á Hollywood
Reporter
á Sunday
Mail, QLD
á Sunday
Mail, SA
á International
Movie Database (IMDB)
Other useful websites:
Urban Cinefile http://www.urbancinefile.com.au
IMDB Website http://www.imdb.com
Synopsis
Rabbit-Proof Fence is the true
story of Molly Craig, her younger sister Daisy and cousin Gracie, three young
Aboriginal girls who was
forcibly separated from their families on the orders of Mr. O.A. Neville,
Western Australia's Chief Protector of Aboriginals, in 1931.
Mr. Neville, or ãMr. Devilä as the
Aborigines call him, is a very proud and noble man with rather distinctive
believes. He refers to the half-casts as an ãunwanted third raiseä which needs
to be helped into the white culture and society. Due to this, Molly, Daisy and
Gracie are to be taken to Moore River Native Settlement, an internment
camp, set up as part of a government policy to train Aboriginal children as
domestic workers and integrate them into white society. When Mollyâs mother
hears about this, she says with a smile; ãif he want half-casts ö he make his
own.ä
After fighting desperately to get
away from the police, Molly, Daisy and Gracie are with violence snatched from
their mothersâ arms and pushed into the police car. Many hours later they end
up in Moore River at the Native Settlement. They are told this is their new
home, and are forbidden to speak their own language.
As the days go on, Molly dislikes
the place and its people more and more. A desire to go home to her mother grows
inside of her and one day she has had enough. She leads Daisy and Gracie in an escape from Moore River. With an
outstanding determination and amazing strength Molly guides the girls on an
epic journey, one step ahead of the authorities, over 1,500 miles of
Australia's outback in search of the rabbit-proof fence that cuts across the
continent and will lead them back home
to their mother in Jigalong.
Personal Review
I think Noyce and Olsen managed to
tell the story in an excellent way, providing angles from different peoples
point of view. Mollyâs of course, but also Mr. Nevilleâs (Kenneth Branagh). In
his believes the ultimate way of living was the way he lived his life, serving
the country as a dedicated worker. And he was determined to help the
Aborigines. One of his statements goes: ãIf they would only understand what we
are trying to do for them·ä That line speaks for itself, he
just didnât know better.
Moodoo (David Gulpilil) is another
interesting character. Although with very few lines, his facial expressions
tells everything we need to know. During the hunt, he seem to develop a bond
with Molly, and with his only line in the film; ãSheâs pretty clever that girl.
She wants to go home.ä
Considering that the children have
had no acting training whatsoever, all three are doing a fairly good job. Yet
there were some parts in the film in which I felt the emotions failed to match
the action/drama. Especially in the separation scene, which to me seemed a bit
inconvenient. It could have been both longer and more dramatic, or at least have
two policemen getting the children, to make it more realistic.
Otherwise the film was really good
overall and absolutely worth watching. The very best bit, I found is to see
those women still alive in the end and hear them talk. This makes the whole film
even trustworthier.
Rabbit-Proof Fence is one of those
films that really open up for discussion. Almost everyone who has seen the film
has something to say about it.
For me the partly unfamiliar story
was a bit shocking. The way the government treated and looked down at the
Aboriginal lifestyle and culture was absolutely terrible. During the first half
of the 20th century, it was official policy in most states to remove
half or quarter cast Aboriginal children and put them in white homes. This
practice continued until the early 1970s.
This is a dark section in the
Australian history, yet the story needs to be told. This is however a very sensitive topic.
The reception in Australia has been mostly positive. Some critics
have accused the film for being slow and predictable, but how could it not be
predictable· it is a true story.
ãRabbit-Proof
Fence has been made
with such transparent humanity and idealism it scarcely seems to matter whether
the story is true or not.ä
-
February 23, 2002
ãThe
photography is superb, with Christopher Doyle giving the harsh Australian
outback a personality of its own, while the haunting score is complementary
without being overpowering.ä
-Scott
Abrahams, Cumberland Press
ãParts of Rabbit
Proof Fence do manage
to engage and the ending ... is especially affecting. But Noyce's methods never
move far from the mundane: hand-held camera for moments of high intensity,
characters running towards embraces in slow motion, intrusive arty clichŽs.ä
-Tom
Ryan, The Age,
February
2002
Production
Production
started on September 18th, 2000 in and near Adelaide, Australia on a budget of
$10,5 million (AUD), and wrapped in November 2000. Funded by Australian
Film Finance Corporation (AFFC) [au]
and distributed in
Australia by Becker
Entertainment [au]
(Australian co-distributor) and Ocean
Pictures Pty. Limited [au]
(Australian co-distributor).
On the official website,
all the information about the making of the film can be found, and even Mollyâs
and Dorisâs stories. This website is as interesting as the film. It provides
all the information needed for an understanding of the Story, the Truth and the
Journey. For more tutorial-friendly material a Rabbit-proof Fence
Study guide is to be found at:
http://www.metromagazine.com.au/metro/03/images/Rabbit-proofFence.pdf
Prior work of the Filmmakers
For
Christine Olsen, this was her debut as a feature film scriptwriter and
producer. She has a documentary background and has directed and produced some
short films.
Phillip
Noyce on the other hand, has been in the business for a long time. However, the
director of Australian classics like Newsfront (1978) and Dead Calm (1989) before going to the US to make
blockbusters such as Clear And Present Danger (1994), Patriot Games (1992) and The Bone Collector (1999), has not worked with an
Australian film for 12 years!
Backroads (1977) was his first feature film, but
he has been making short films and documentaries since high school.
Phillip Noyce Filmography
á Rabbit-Proof
Fence (2002), Director, Producer
á The
Quiet American (2002), Director
á The
Bone Collector (1999), Director
á The
Saint (1997), Director
á Clear
and Present Danger (1994), Director
á Sliver
(1993), Director
á Patriot
Games (1992), Director
á Blind
Fury (1990), Director
á Dead
Calm (1989), Director
á Echoes
of Paradise (1989), Director
á Heatwave
(1983), Director, Screenplay
á Newsfront
(1978), Director, Screenplay
á Backroads
(1977), Director, Producer, Screenplay
á Let
the Balloon Go (1976), Second Assistant Director
á The
Golden Cage (1975), Assistant Director
John
Winter Filmography
á
Rabbit-Proof Fence (2002), Producer
á
My Mother
Frank (2000), Producer
á
Paperback
Hero (1998), Producer
á
Doing Time
for Patsy Cline (1997), Producer
á
Turning April (1996), Co-Producer
á Vacant
Possession (1995), Producer
á The
Roly Poly Man (1994), Line Producer
á No
Worries (1993), Associate Producer
á Love
in Limbo (1993), Co-Producer
...
aka Just One Night (1993)
In
the search for three Aboriginal unknown bush kids to take the lead roles, Noyce
and casting agent Christine King spent nearly three months in four-wheel drives
combing Australian towns and cities, Aboriginal centres and outback
settlements. After 12,000 interviews, 13-year-old Everlyn Sampi was chosen to
play the main character, Molly; eight-year-old Tianna Sansbury as her sister
Daisy; and Laura Monaghan, 10, as their cousin Gracie.
Since the film only has been
released in Australia, no information of its value and achievements overseas is
available.
What can be said is that Rabbit
Proof Fence is an example of an ãobviousä Australian national
cinema. The plot, the story could not been someone elseâs. Besides I donât
think any other country would dare to raise such a sensitive topic and
humiliate the Australian government.
Then of course, it is the
outstanding landscape, a typical event in Australian national cinema, and
Australian national cinema is described as a medium sized English language
cinema.
Now, the questions remaining: will
the film achieve anything overseas? Will the story be spread?
·Children who were taken in this
way are now referred to as the ÎStolen Generationâ. We must never forget·
By Anna Branden,
H231 ö Australian Cinema,
Murdoch University, 2002