

ÒÉan infectious,
toe-tapping, smile-inducing blast of a can-they-make-the-big-time rock band
comedyÉÓ
PRINCIPAL CAST & CREDITS
CAST
Freddy Ð Kick Gurry
Kate Ð Maya Stange
Tanya Ð Pia Miranda
Lucy Ð Chris Sandrinna
Joe Ð Brett Stiller
Shad Kern Ð Marton
Csokas
Kevin Ð Andy Anderson
Bruno Ð Russell
Dykstra
CREDITS
Director Ð Alex Proyas
Producers Ð Alex Proyas
& Tohper Dow
Co Producer Ð Adrienne Read
Screenwriters Ð Alex Proyas,
Dave Warner & Michael Udesky
Cinematographer/DOP Ð Simon
Duggan ACS
Editor Ð Richard Learoyd
Choreographer Ð Paul
Mercurio
Casting - Greg Apps
Peter Grace Ð Sound
GENRE
Comedy/Musical
PRODUCTION COMPANY
Mystery Clock Cinema
RELEASE
DATES
Australia Ð October 3,
2002
USA Ð July 18, 2003
DISTRIBUTOR
Fox Searchlight
AT
THE BOX OFFICE Ð Australia
INTERVIEWS WITH FILMMAKERS
(http://www.sbs.com.au/movieshow/interviews.php3?id=127
http://www.urbancinefile.com.au/home/view.asp?a=6605&s=Interviews
http://sunday.ninemsn.com.au/sunday/film_reviews/article_1150.asp
PRESENCE IN ONLINE LITERATURE
At first glance I
thought there were heaps of Garage Days reviews on the net. The majority of these turned out to be simple
cast lists or just random opinions. A selection of the more ÒreputableÓ reviews
follows.
Favourable
http://www.aufs.org/reviews/film/garagedays.html
http://www.abc.net.au/hobart/stories/s710914.htm
http://www.efilmcritic.com/review.php?movie=6044
http://www.urbancinefile.com.au/home/view.asp?a=6586&s=Reviews
Not favourable
http://www.abc.net.au/triplej/review/film/s696323.htm
CRITICAL REVIEW
Synopsis
So
you wanna be a rock star? So does Freddy. Garage Days (Alex Proyas, 2002) follows the trials and tribulations of an
up-and-coming rock band in SydneyÕs inner suburbs. Desperate for his band to
make it to the top, Freddy takes it upon himself to track down AustraliaÕs Rock
Manager of the Year and get his band signed. In their quest for fame, the band
members and their entourage face many of lifeÕs problems and have to deal with
issues of their own, as well as each others. On a rocky road to the top, they
learn about the things that can ultimately tear a band, and a group of friends,
apart. Take one egotistical lead singer and his confused but crazy, bass
playing girlfriend, add one mohawked, drug-f*#*@d drummer
and a depressed, suicidal guitarist. Now thatÕs a recipe for success!
Plot
The
narrative of Garage Days
primarily follows Freddy (Kick Gurry). Freddy is the lead singer of a band
trying to break into the world of rock ÔnÕ roll. Nothing is really going right
for the band and after their glorified first gig flops, they put their problems
down to their manager, Bruno (Russell Dykstra). Freddy sets out to get the band
a new manager while the others, Lucy, Joe, Kate and Tanya try to sort out their
own lives. Joe (Brett Stiller) and Kate (Maya Stange) are involved in a very
complex relationship, confused by KateÕs feelings for Freddy and JoeÕs bizarre
connection with another woman (Yvette Duncan). Tanya (Pia Miranda) is trying to
have a fulfilling relationship with Freddy, until she finds out about Kate and
seeks comfort in the arms, nay the bed, of Lucy (Chris Sandrinna). Lucy is on a
mission from God to find Ôthe perfect tenÕ of drugs, but he may be just what
Tanya needs. After battling through all this and more, Bruno comes through for
them, and the band is given the chance to live out their ultimate rock dream,
to play at the Homebake festival.
Criticism
It
was one giant leap from the dark, gothic styles of Dark City, and The Crow that we have come to expect from director Alex
Proyas. Garage Days
followed a much more light-hearted approach. Definitely not a serious movie, Garage
Days was simply and at most, a
couple of hours of fun.
I found several Ð but not all- of the
characters to be fairly badly developed and annoyingly stereotypical,
particularly ÒAustraliaÕs Manager of the YearÓ, Shad Kern (Marton Csokas). He
was predictably sleazy, slimy and nasty, and although he did this well, there
was very little else one learnt about him. Generally, the acting was fairly
impressive, despite what the actors had to work with. In my opinion, the
standout actor was Brett Stiller and his portrayal of the brooding, depressed
and a little crazy, guitarist, Joe. A severe twist in the story disrupts the
logic that seems to surround Joe and the things he does. Stiller pulls this off
without a hitch and depicts a powerful portrayal of the charming, sweet
boyfriend Joe and crazy, psychotic sex fiend Joe.
The stunning visual effects bring the movie up
a notch and make it exciting and hilarious to watch at times. In particular,
the two scenes entitled ÒFun with Drugs-Part 1 & 2Ó. Proyas and his designers
used both live action and cartoon animation to craft several visually
stimulating sequences.
Both
the high and the low point of the film came within seconds of each other. You
have to admire Proyas and his team for the way they were able to create and
shoot a believable concert scene at a live concert. At the
conclusion of the film the band are onstage at Homebake, one of AustraliaÕs
largest music festivals, playing to a massive, but real crowd and somehow, the
entire Garage Days crew managed to pull it off, now that is impressive! The
letdown comes a few seconds later, in what I believe was a major plot fault,
when the band totally sucks (for want a better word!) onstage. The crowd was
quiet and obviously unimpressed and the band realises they are failures. The
End. This tragic ending is neatly tied up with a nice little slogan of ÒYou
donÕt have to BE a rock star to feel like one.Ó Aaww how sweet!
Critical Uptake
At
its Australian release, Garage Days
took $0.48million on the opening weekend. Throughout the duration of its
screening here, it took a total gross of $1.3million at the box office. Garage
Days was then nominated for 3
AFI Awards for Best Production Design, Best Sound and Best Actress in a
Supporting Role (Maya Stange). Unfortunately, it did not win any awards, pipped
at the post by Rabbit Proof Fence, Walking on Water and Dirty Deeds. The fact
though, that Garage Days
was nominated for three prestigious awards in Australia is proof enough of its
success in its home country. It is harder to gauge the success of Garage
Days overseas and in the U.S.
especially because it has not been released yet. Garage Days was shown in the ÒPremiereÓ category of the
Sundance Film Festival in January this year, so if that is any indication of
what is to come, Garage Days
looks set for a good showing in the U.S.
FILMOGRAPHY
Kick Gurry
Maya Stange
Alex Proyas
Director; in pre-production
Executive
Producer
Director; Producer; Writer
Director; Writer; Cinematographer
Director
Cinematographer
Director; Producer; Writer
Topher Dow
Executive Producer
First Assistant Director
Second Unit Director
GARAGE DAYS & AUSTRALIAN CINEMA
The
Australian cinema industry is known throughout the world as a medium-sized,
English-language cinema. It is labelled as medium-sized because of the small
amount of films produced compared to Hollywood, per year. A ratio of one to ten
would not be unlikely. In the year that Garage Days was produced (2002), 22
Australian films were released, 19 feature films and 3 documentaries. Last year
(2002) there was a total 258 films released into Australian cinemas, so the
Aussie flicks made up 8.5% of all movies released worldwide. What makes this
even sadder is that in that same year, Aussie films only grossed 4.9% of the
total box office takings, a total of $41million.
Source: http://www.theage.com.au/articles/2003/01/29/1043804405298.html
The
reason Australian films are pitched against the dominating force in cinema that
is Hollywood, is because of the ÒEnglish-languageÓ classification both
industries have. This means that Australian movies are constantly competing
against American movies, and very rarely coming out of top, even at the
Australian Box Office. In the week of its release in Australia, Garage Days
came in at number 8 at the Box Office. Behind in at 9 & 10 were the
American films Eight Legged Freaks and
Insomnia. Ahead of Garage
Days were 6 Hollywood films, including Austin Powers 3 and Lilo & Stitch. The Australian film, Crocodile Hunter came in just ahead of Garage Days at number 7.
Source:
http://www.movieguide.com.au/07102002.htm
COLLECTING INFORMATION
I
began my quest for information about Garage Days on the Internet, using several
search engines, but predominantly Google. This proved to be a very efficient
way to gather information and I discovered that I could find almost everything
I needed this way. Occasionally I ran into trouble whilst trying to access
secured sites such as Urban Cinefile, but on the whole information was readily
accessible. I did attempt to
locate Garage Days
information in print sources by using the library catalogue database, but my
numerous searches proved fruitless and it seemed there was nothing to be found.