BREAKER MORANT
1980
Part
one : Film Information
Cast:
Edward
Woodward Lieutenant
Harry 'Breaker' Morant
Jack
Thompson Major
J.F. Thomas
John
Waters Captain
Alfred Taylor
Bryan
Brown Lieutenant
Peter Hancock
Charles
'Bud' Tingwell Lieutenant
Colonel Denny
Terence
Donovan Captain
Simon Hunt
Vincent
Ball Colonel
Ian (johnny)Hamilton
Ray
Meagher Sergeant
Major Drummond
Lewis
Fitzgerald Lieutenant
George Ramsdale Witton
Chris
Haywood Corporal
Sharp
Russell
Kiefel Christiaan
Botha
Rod
Mullimar Major
Charles Bolton
Alan
Cassell Lord
Horatio Kitchener
Rob
Steele Captain
Robertson
Chris
Smith Cameron
Sergeant
Bruno
Knez Reverend
H.V.C. Hess
John
Pfitzner Boer
Commander
Frank
Wilson Dr
Johnson
Micheal
Procanin Visser
Wayne
Bell Lieutenant
Reed
Bridget
Cornish Hunts
Sister
Dick
Henderson Captain
Nicholson
Barbara
West Mrs
Vanderberg
Judy
Dick Mrs
Shiels
Norm
Curren Boer
Singer
Crew:
Director Bruce
Beresford
Producer Matthew
Carroll
Cinematography Donald
McAlpine
Music Phil
Cuneen
Production
Designer David
Copping
Production
Manager Pamela
Vanneck
Camera
operator Peter
Mass
Editing William
Anderson
Art
Director David
Copping
Sound Gary
wilkins
Costume
Designer Anna
Senior
Screenplay Bruce
Beresford
Jonathan
Hardy
David
Stevens
Production: South
Australian Film Corporation
Australian
Film Corporation
Seven
Network
Pact
Production Pty Ltd
Release
Dates: Australia 16 May 1980
USA 16 May 1980
UK
12 nov 1980
Finland 6 August 1982
Sth
Africa 14 Feb 1985
Distribution: Australia:
Roadshow and Star Video
USA: New World Pictures/Quartet
Box
Office:
Breaker
Morant was a Box office success grossing $4,735,000 in Australia and
was
quite successful in the US where it grossed $7,142,857.
Bibliographical
Details:
Journals:
Australian
Screen Education 29 winter 2001. Breaker Morant
Mark
Enders pp 192 - 195
Newspaper:
Breaking
the Rules. The West Australian. Saturday 6th March Weekend Section
Gregg
Ross pp 58 - 41
Give
The Man a Break: Breaker Morant and a matter of justice.
The
Sunday Times, 14th March 2004 News Review. Nick Bleszynski pp 41 -
43
these
two newspaper articles do not directly deal with the film but are connected
through the travesty of justice that was the trial and the film is a frequent
refence point in relation to how accurate it was to the true life events.
Literature:
Blesynski
Nick; Shoot Straight You Bastards. The Killing of Breaker Morant 2003
this
book deals with the whole story of Breaker Morant and the Bushveldt Carbineers
in extreme Detail and outlines the trail, subsequent execution and proves how
accurate the screenplay and characters actually were.
Online
Presence:
the
online presence of this film online was huge. The internet was where I did most
of my research and therefore articles, interviews and essays purely based on
the film were hard to find pre mid 90's. ( the Breaker Morant story is a
military and political controversy which is still being debated today. There is quite a large amount of information
regarding the man himself, his poetry and lifetime antics.)
there
were many online reviews and critical reviews. Many interestingly from
foreigners, mainly Americans and Central Europeans who held the film in high
regard. Especially with its relevance to the more modern conflicts which
involve guerrilla warfare such as the Vietnam War and the current situation in
Iraq.
I
was unable to find any online interviews with any of the crew where Breaker
Morant was the sole subject. Bruce Beresford and the Producer did have
some interesting comments but nothing really substantial. Some of the cast
members have fond memories and recollections of the film but no substantial
interviews regarding this film solely.
The Internet movie Database was very helpful as well as the Australian
Film corporation website for box office figures and how it rated at its time of
release in relation to other Australian box office successes. Here are some of
the websites which were helpful and insightful.
www.theduallens.com/index.asp?reviewld=120103
www.archive.rootsweb.com/th/read/BOER-WAR/2002
www.afc.com.au
www.qnetwork.com/modules.php?name
www.angelfire.com/movies/davidsmovies/breaker/html
www.channelfourfilms.com
I
found that international websites had more of a presence of this film than
websites originating in Australia. The movie is more critically acclaimed today
by an overseas contingent of reviewers and audiences.
Awards
Breaker
Morant swept the 1980 Australian Film Institution awards winning ten
categories.
Best
Film Matthew
Carrol
Best
Director Bruce
Beresford
Best
Screenplay Bruce
Beresford
Jonathan
Hardy
David
Stevens
Best
actor in a lead role Jack
Tompson
Best
actor in a supporting role Bryan
Brown
Best
Achievement in Cinematography Donald
Mcalpine
Best
Achievement in Costume Design Anna
Senior
Best
Achievement in Sound Jeanine
Chiavlo
Best
Achievement in Production Design David
Copping
Best
Achievement in Editing William
M Anderson
Breaker
Morant was also nominated for the following.
Best
Actor in a lead role Edward
Woodward
Best
Actor in a supporting role Lewis
Fitzgerald
Charles
'Bud' Tingwell
1981
Academy awards
nominated
for best adapted screenplay based on a stage production
1981
Golden Globes
Nominated
for Best foreign Film.
1980
Cannes Film Festival
Jack
Thompson won Best Supporting actor and Bruce Beresford was nominated for the
Golden Palm Award.
Part
Two: Film Synopsis and Review
The film takes place near the end of the Boer War in
South Africa 1899 - 1902. The Boer war was fought between English forces and
the Dutch South African Boer's (Afrikaans Dutch for ÒfarmersÓ) over control of
various parts of South Africa. The Boers fight using non conventional Guerrilla
methods of warfare such as hit and run sabotage and suprise attacks behind
enemy lines. This is the first time in which this type of fighting has been
encountered in warfare so the English create a special fighting unit called the
Bushveldt Carbineers to fight the Boers at their own irregular tactics.
Commanded by Captain Simon Hunt (Terence Donovan) and mostly manned by
Australian Volunteers famed for their skill with horses and outdoor survival.
After a series of controversial events which follow Captain Hunts death and
mutilation in a Boer ambush three Carbineers are charged with murder -
Lieutenant Harry 'Breaker' Morant (Edward Woodward), Lieutenant Peter Handcock
(Bryan Brown) and Lieutenant George Witton ( Lewis Fitzgerald). The three men
are accused of murdering captured Boers and a German Missionary who may have
witness the men being shot. The English who want an end to the war and no
reason for Germany to enter it use the trio as scapegoats. Major J.F. Thomas
(Jack Thompson) is an inexperienced but as it turns out really determined
country lawyer who fights for the three defendants proving that there were
orders given to kill prisoners, but to no avail. The three soldiers are made
into political pawns and the trail is far from just.
BREAKER MORANT is a film which along with GALIPOLLI deals with the tragic events from Australia's
military history. Basically where Australians paid the price for being loyal to
their Sovereign the British Empire. Its about Australia finding its own separate
identity from a English dominated past. At the same time its Ironic as they are
fighting the colonists of another British colony. The Boers in a country very
similar in environment to that of Australia. The film was shot in South
Australia but the terrain is distinctly similar to that of Northern South
Africa where the film is based. The film does not allow you to take sides as on
one hand you have the English and their
dastardly ways and on the other you have the Racist redneck Boer commandoes.it
kind of makes you see that whatever perspective you look at there are no good
or bad,brutal or humane people in War and no one is immune from its evils. There's
Just people trying to do their jobs and fight for what they think is right
whether it be your homeland or your king. It can be said that BREAKER MORANT
to a small extent is a patriotic and ÒPommy BashingÓ film because of the
feeling of resentment towards the English through all their hypocrisy, lies and
court and jury fixing. Because its seen as a good cause to the British who
control the ÒKangaroo CourtÓ and tend to see the Australians throughout the
movie as undisciplined hooligans. you are left with a bitter aftertaste but the
film is more complex than this and raises many more issues which are still
prevalent today. Issues such as politics, morality and war, where those in
power are willing to sacrifice people for their own cause and whether or not
men in combat should be judged by civilian rules. Captain Taylor in the film
makes the comment Òthis is guerrilla war not a debutante's ball. There are no
rules hereÓ.war is ruthless and lawless. Òlike the line in the movie apocalypse
now :charging a man with murder in this place is like handing out speeding
tickets at the Indy 500Ó.
Although
the film is biased towards the Australians it doesn't make Hancock and Morant
out to be saints, they are neither heroes nor anti heroes and are aware that in
this new era of war new rules are needed to combat the enemy. They are not
innocent of their crimes and even though they were following orders to kill
prisoners some were carried out with malice and in revenge. They are good
soldiers who seem to do their job but don't have any real sense of loyalty or
patriotism for England and see it as a way to make a living. This is
highlighted when Witton asks Morant if he believes in the empire to which
Morant asks the rhetorical question Òdo I GeorgeÓ as he throws his shaving
water into the dirt as if symbolized the empire.The English aren't simply
portrayed as outright villians either. Lord Kitchener makes the statement that Ò
the war could be ended and the lives of potential thousands could be saved at
the sacrifice of three soldiersÓ this is true if you are dealing with nameless
martyrs but its not the case and never is as Colonel Hamilton points out to Kitchener
that. Òthe Australians would beg to differÓ. the whole film is full of immoral
acts and characters. Just about the only true hero in the film is Major Thomas.
He is the only morally just person trying to do the right thing in the film and
mounts a good defense for the three protagonists against overwhelming odds.
Witton is the victim in this movie always believing that what he is doing is
fighting a war for the honourable British.
This is a classically Australian film in that it uses
all the elements which are a trademark of Australian cinema at the time. The story
ending in a more than often negative way and similar in location to the way it
began. The opening scene shows the band playing the same song that Edward
Woodward sings at the end. There is the last shot of the musical rotunda empty
and lifeless where it has served as a kind of motif throughout as perhaps a
metaphor for their lives.
Australianess elements such as Mateship are brought
to light when Morant Refuses Captain Taylors offer of escape. He wont leave his
mates. Continuing ,Larrakinism and wise cracks in the face of terrible
adversity(mainly from Handcock) is also another national classic australian
national identity ÒmythÓ . Extreme bravery and competent skills in horsmanship
and the ability to live off the land. Hancock even seems to mock the British in
death as they battle to get his body into the coffin.
Thjs film is full of irony. Especially where the
three protagonists are asked to help defend against a boer attack. When they
have repelled the Boers they are put back in their cells and in the next scene
are being tried for killing. It shows how stupid it is to try theme for murder
when they are soldiers who are supposed to kill. Also the film had a distinct
lack of music or score that could add to its dramatic effect. There was a
little bemusing classical brass music but only three songs were played. The opening
and closing song, God Save the King and the Boer love song that was also sung
by the Boer singer at the dinner table, all there for ironic purpose. mostly it
was Morants poetry that was well placed and gave semi ironic and relevant
commentary on the events unfolding. The military and anal marching of the British also adds to
effect to this.
BREAKER MORANT was really well written and directed. It excels in narrative
script and cinematography. Donald McAlpine creates great effect with his vast
sunrises so similar to South Africa its unreal. Believe me I was born there. His
in the field shots show distance, coldness and loneliness. Bruce Beresford has
told a great story and brought it to
life using ,flashbacks, good pacing and creating believable characters. The
Acting was outstanding and make the characters human. Woodward is great as the
poetic, war weary, fiery Morant, Brown as the high energy, classic joking
larrikin Handcock and Thompson as the strong willed lawyer Major Thomas.
The most metaphorical line of the film is its last.
Morant echoes Òshoot straight you bastards! Don't make a mess of itÓ. which in colloquial
Australian means ÒTell the truthÓ
this is an anti war film. Men are casualties of war
which is begun and finished for political purposes. And the current situation
in Iraq and previously Vietnam show that we will never learn from history or
our mistakes.
BREAKER MORANT was one of the most critically acclaimed movies for its time.
It swept all before it at the Australian Film awards not taking out the female
lead and supporting roles because of lack of in the film. It was a huge success
and even though Australian was not as quirky as some Aussie films were which
international audiences found it hard to relate to. it was the beginning of a
really good period for Australian cinema in which films such as MAD MAX ,
GALIPOLLI were made and made the world take notice of our interesting
and different, budget but quality approach to films. BREAKER MORANTS uptake
when it was released did create an increased interest in the events that the
story was based on. (According to court writings much of the speech in the courtroom
was extremely accurate. Especially Major Thomas's well put summary at the end)
there were two books written about the events and the film was adapted from a
play by Kenneth Ross. There has always been some debate on the Breaker Morant
subject. It was well received in the US and did fairly well at the box office. I
wouldnt say it put Ausrtralia on the film map but it made some sit up and
notice that big budgets and money cant beat raw filmaking talent. It did launch
Bruce Beresfords career. Today it still is a prevalent film. Although perhaps
lost in the crazy wilderness of movies we are confronted today it is undoubtedly
one of the finest critically acclaimed Australian productions ever made. Many
of the reviews that I found regarding the movie were from foreigners who were
big collectors of Òanti war Òcinema and they rated this as one of the finest.
BREAKER MORANT sits in the archives of Australian film as a classic movie with a resounding message that can still be heard and has relevance today. Although possibly it is not a household name in film circles and relatively unknown to youth. It is the sort of film that from the cover does looks boring and lacks today's slickness but once you start watching is intriguing and compelling. Information was not hard to find on it but you had to know where to look on the net. Talking to people under twenty and no one has a clue about it even those who know something about film. Many youngsters know of mad max because of its cult status as a violent, petrol headed vigilante adventure. Breaker is not this sort of film but in my mind greater! as it is simple, smart, and uses good acting /characterization and good filmaking technique to portray a powerful narrative and message. This film is the source of a new debate as to whether the Australian Government should get the verdict scrapped and Morant and Handcocks names cleared and put in to the rubbish bin that is history. Now you don't see too many films that are as poignant as thatÉ